Showing 24 of 89 scenes
Being Human
by Toby Whithouse
Following a violent supernatural outburst that destroyed their furniture, George, Mitchell, and Annie argue over the impending arrival of their landlord, who is also Annie's former fiancé. While Annie is desperate for news of her old life, George fears that her presence as a ghost will expose their secrets and endanger their domestic stability.
Lauren confronts Mitchell about abandoning her after turning her into a vampire, expressing her deep-seated resentment and her newfound bloodlust. Mitchell attempts to offer her a way out, but realizes that she has fully embraced her monstrous nature and the violent ideology of their creator, Herrick.
Person of Interest
by Jonathan Nolan
Finch confronts a disillusioned and former CIA operative, Reese, on a rooftop to offer him a new sense of purpose. Finch reveals he knows Reese's deepest secrets and tragic past, proposing an unconventional partnership to prevent future crimes.
Fallout
by Geneva Robertson-Dworet, Graham Wagner
A group of bounty hunters unearth a legendary, undead gunslinger known as the Ghoul to recruit him for a high-stakes mission. After a brief and tense negotiation regarding a target in California, the Ghoul demonstrates his superior lethality by effortlessly dispatching his liberators. The scene establishes the Ghoul's cynical worldview and his terrifying efficiency as a wasteland mercenary.
Poor Things
by Tony McNamara
After witnessing extreme poverty, Bella decides to give away Duncan's gambling winnings to two stewards she believes will help the poor. When Duncan wakes up and realizes his fortune is gone, Bella tries to explain her newfound philosophical awakening while Duncan descends into a violent rage.
Everything Must Go
by Dan Rush
Samantha attempts to offer help and sympathy to Nick, a man struggling with a traumatic brain injury and isolation. The scene takes a dark turn when Nick retaliates by brutally deconstructing the failures of Samantha's marriage and her personal life, leading to a volatile emotional confrontation.
The Revenant
by Mark Smith, Alejandro G Inarritu
Fitzgerald attempts to justify the abandonment of Glass and the murder of Hawk to a guilt-ridden Bridger. As they struggle to survive in the wilderness, Fitzgerald uses intimidation and cold logic to ensure Bridger's silence regarding their actions.
Everyone Is Having Fun But You
by Brad Vassar
Phin returns home to break the news of his terminal brain tumor to his emotionally distant father, Hank, and his simple-minded brother, Terry. Instead of offering comfort, Hank deflects with television and eventually proposes a competition between himself and Terry to see who will inherit Phin's wealth.
Eternity's Gate
by Stephen Beck, Caren Bohrman
In a crowded bar, a weary and cynical man named Churchill explains the history of a cursed artifact to a flirtatious stranger. He recounts the tragic fates of those who possessed it throughout history, expressing his frustration at being caught in a cycle of misfortune inherited from his uncle.
EnCrypt
by Richard Taylor
In a dystopian future, Reich recruits Garth for a high-stakes infiltration of a fully automated mansion protected by a sentient AI. Reich reveals that the mission involves downloading weather-control research that could potentially save the dying world, while Garth remains cynical about the possibility of redemption. The scene establishes the ticking clock of an approaching army and the immense danger of the sentient computer system, EnCrypt.
All You Need Is Kill
by D W Harper
In a narrated sequence, Cage recounts the terrifying arrival and evolution of the Mimics, an alien race that adapts to human warfare with lethal precision. He contrasts his own cowardly beginnings as a lazy teenager with the rise of the war hero Rita Vrataski, ultimately expressing his dread as he prepares for a battle he is certain humanity will lose.
Finch reveals to Reese that the woman he was trying to save has been dead for years, testing Reese's resolve. He offers Reese a new purpose and the chance to use his skills to prevent future crimes before they happen.
Harold Finch reveals the secret origin of 'The Machine' to John Reese, explaining how he built a mass surveillance system for the government that ignores 'irrelevant' crimes. Finch expresses his guilt over the lives he couldn't save, while Reese questions the morality and effectiveness of their new mission.
Game of Thrones
by Barry Luc
Outside a royal feast, Tyrion Lannister encounters Jon Snow and offers unsolicited wisdom regarding Jon's status as a bastard. The scene establishes a bond between two outsiders as Tyrion encourages Jon to embrace his identity as a form of protection against the world's judgment.
Peaky Blinders
by Steven Knight
Polly confronts Thomas in a church about a secret he is keeping regarding the factory. Thomas reveals that his men accidentally stole a massive shipment of government weapons intended for Libya, placing the family in extreme danger from the authorities.
Thomas Shelby prepares to execute his friend and fellow war veteran Danny Whizz-Bang to settle a blood feud with an Italian gang. As Danny reflects on his trauma from the Great War and makes final requests for his family, Thomas offers a moment of mercy and brotherhood before the fatal shot.
The Sopranos
by David Chase
During a romantic dinner, a mob boss tentatively confesses to his wife that he has started seeing a therapist and taking Prozac. The scene balances the absurdity of his criminal lifestyle with the genuine emotional disconnect and domestic struggles the couple faces.
A mob boss expresses his frustration with modern therapy culture and the loss of traditional masculinity to his new psychiatrist. The scene highlights his internal struggle between his tough exterior and the emotional vulnerability triggered by a panic attack involving ducks in his pool.
During a therapy session, a mob boss discusses a bizarre dream involving a Phillips-head screw and a lost appendage. Through Dr. Melfi's guidance, he realizes his deep-seated anxiety stems from a fear of losing his family, triggered by the departure of ducks from his pool.
Christopher and Big Pussy struggle to dispose of a rival's body at a construction site while debating the strategic consequences of the murder. The scene highlights the generational gap and tension within the crime family as they navigate the messy reality of mob life.
Finch attempts to recruit Reese by revealing the existence of a list that predicts future crimes involving ordinary citizens. Reese remains skeptical of Finch's mysterious origins and motives, leading to a tense confrontation before Reese disappears into the city.
Barry
by Alec Berg, Bill Hader
A hitman desperate for a new life confesses his dark past to an eccentric acting teacher under the guise of an improvisation. The teacher, oblivious to the literal truth, is impressed by the 'emotional honesty' of the performance and agrees to take him on as a student.
Fuches confronts Barry in a hotel room after discovering that Barry has befriended his target and joined an acting class. The stakes escalate as Fuches reveals the Chechens blew up Barry's apartment as a 'nudge' to finish the hit, while mocking Barry's sudden aspiration to be an actor.
Person of Interest (Pilot)
Reese discovers Finch's elaborate tracking system and realizes the numbers correspond to impending violent crimes. Tensions rise as Reese demands transparency regarding the source of the data, while Finch maintains his secrecy and challenges Reese's own trustworthiness.
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