Browse Scenes

Following a tense evening, Rob impulsively proposes to Sharon while she is pregnant and facing a health scare. They navigate the absurdity of their situation, balancing genuine fear about their future with their signature dark wit and blunt honesty.

During a date in Boston, Rob receives an unexpected phone call from Sharon, a woman he had a week-long fling with in London. The casual conversation takes a life-altering turn when Sharon reveals she is pregnant, forcing both to confront the consequences of their brief encounter and decide how to move forward as near-strangers.

A well-meaning but socially awkward father gives his son unconventional advice on his first day of high school. He encourages Barry to reinvent himself and hide his true personality to achieve popularity, leading to a humorous exchange about social status and shampoo commercials.

Scene extracted from The Last Quarter.pdf

Evan and Jason argue in a car about Evan's attempts to reinvent himself as a mature professional. Jason mocks Evan's boring new lifestyle and corporate job, while Evan defends his desire to move past their juvenile habits.

Linguini prepares to dispose of Remy in the river but realizes the rat can actually understand him and possesses the culinary skills he lacks. They form an unlikely alliance born of desperation, as Linguini needs to keep his job and Remy needs a way to cook.

Olive confesses to her friend Brandon that her reputation as the school slut is entirely fabricated. As they scrub graffiti in the boys' bathroom, they debate the merits of social labels and the performance of identity in high school. The scene culminates in the two outsiders bonding over their shared deception and the power of controlling one's own narrative.

Olive Penderghast addresses her peers through a webcam to address the escalating rumors regarding her promiscuity. She adopts a witty, self-deprecating tone to reclaim her narrative and set the record straight about her reputation.

A group of comedy writers and their associates reflect on the grim reality of war and the staggering loss of life in the Great War. The conversation shifts from somber reflection to personal anecdotes as Morty reveals his mundane military assignment and Eddie attempts to lighten the mood with crude humor.

Eleanor Shellstrop learns from an architect named Michael that she has died and successfully made it into 'The Good Place'. Michael explains the embarrassing circumstances of her death and the surprising truth about which earthly religions got the afterlife right.

After realizing her presence is causing chaos in the afterlife, Eleanor attempts to convince Chidi, an ethics professor, to teach her how to be a good person. She argues that she deserves a 'medium' fate rather than eternal torture and proposes that she become his ultimate ethical experiment.

Michael, an architect of the afterlife, explains the complex points-based system that determined why the gathered crowd has been admitted to 'The Good Place'. He reveals the existence of soulmates and the grim fate of those who didn't make the cut, all while maintaining a cheerful, slightly eccentric demeanor.

Following a traumatic mission, Morty threatens to quit adventuring with his grandfather. To appease him, Rick challenges Morty to lead their next mission, setting up a high-stakes bet regarding who will control their future travels.

Raj brings Penny back to his apartment and impulsively introduces her to his parents in India via video chat. The situation quickly devolves into an awkward confrontation as his parents criticize his choice in women while Penny defends herself against their cultural prejudices.

Sheldon recounts a childhood story about trying to genetically engineer a griffin to replace his dead cat. He suggests that the group should use this opportunity to find or create a superior replacement for their friend Raj.

In an acting class, Ryan and Barry perform a tense scene from the film True Romance. While Ryan leans into a heightened, eccentric characterization, Barry struggles to stay present until the scene reaches a physical climax that reveals the absurdity of their rehearsal environment.

Fry and Leela are brought before a secret tribunal of Robot Elders who order Bender to execute them. When Bender refuses to kill his friends, the Elders reveal that their anti-human propaganda is merely a political distraction, leading Fry to attempt a desperate bluff to save the group.

Armond, a high-strung hotel manager, justifies a booking error to his trainee by explaining the fragile psychology of wealthy guests. He describes the clientele as needy children who require constant validation and 'maternal' attention to mask their deep-seated insecurities.

Mark is spiraling into a panic over his swollen testicles, convinced he has terminal cancer like his father. His wife Nicole attempts to provide practical comfort and perspective, eventually pushing him to stop obsessing and spend time with their son.

A narrator describes the whimsical, logic-defying reality of Barbie Land as Barbie goes through her morning routine. The scene highlights the imaginative play of children where physical laws like gravity and functional plumbing are replaced by the joy of 'nothing' and 'magic'.

While sharing a room during a medical crisis, Terry confesses to Kumail that he once cheated on his wife, Beth. Terry struggles to articulate the guilt and the complicated nature of long-term love, while Kumail awkwardly attempts to navigate the uncomfortable revelation.

A stand-up comedian struggles to perform his routine while his girlfriend is in a medically induced coma. He transitions from failing jokes to a raw, vulnerable admission of his guilt and the terrifying reality of her declining health.

Althea recounts a frustratingly mundane sex dream to her ex-partner, Chris. She uses the dream's bureaucratic setting to highlight the lack of passion and the clinical nature of their past relationship.

Cameron and Michael confront Patrick to discuss their scheme to get Cameron a date with Bianca by having Patrick woo her sister, Kat. The stakes involve navigating high school social hierarchies and Patrick's mercenary attitude toward the arrangement. The scene establishes the alliance between the three boys and the transactional nature of their plan.