Browse Scenes

Following a violent supernatural outburst that destroyed their furniture, George, Mitchell, and Annie argue over the impending arrival of their landlord, who is also Annie's former fiancé. While Annie is desperate for news of her old life, George fears that her presence as a ghost will expose their secrets and endanger their domestic stability.

Elizabeth attempts to set her brother Barry up on a date while simultaneously confronting him about his mental health. Barry becomes increasingly defensive and anxious as Elizabeth pushes him to address rumors that he is seeking professional help.

Lucy MacLean presents a formal application to her community's High Council, detailing her various skills, physical fitness, and contributions to the Vault. She expresses her desire to participate in a 'Triennial Trade' to find a marriage partner outside of her immediate gene pool, highlighting the high stakes of survival and procreation in her underground society.

Barry confides in his co-worker Lance about a vague 'trouble' he's in and his impulsive plan to fly to Hawaii. He obsessively focuses on his frequent flyer mile pudding scheme while pleading with Lance to keep his travel plans a secret from his overbearing sisters.

During a memory erasure process, Joel revisits a painful argument at a flea market where Clementine expresses a desperate desire for a child. The scene escalates from a tense disagreement into a vitriolic confrontation about maturity and commitment before the memory begins to dissolve.

Two strangers, Joel and Clementine, strike up a nervous and quirky conversation on a nearly empty commuter train. Clementine's erratic, high-energy personality clashes with Joel's painful shyness, leading to a series of awkward social blunders and a tentative, soulful connection.

Joel and Clementine meet for the 'first' time on a Long Island Rail Road train, where the extroverted and erratic Clementine forces a conversation with the shy, reserved Joel. As they navigate an awkward but magnetic introduction, Clementine's volatile personality and Joel's quiet kindness create an immediate, if fractured, connection.

In a run-down barn, Phin attempts to share the heavy news of his terminal brain tumor with his eccentric friend, Literal. The emotional weight of Phin's confession is met with Literal's bizarrely blunt and literal perspective, leading to a dark but poignant conversation about mortality and Phin's troubled relationship with his father.

Clementine visits Dr. Mierzwiak to discuss her failing relationship and her desire to erase her memories. She struggles to articulate her dissatisfaction, oscillating between the desire for a cinematic romance and the practical pressure of settling down as she gets older.

Clementine invites Joel back to her apartment where she attempts to break through his social anxiety with alcohol and eccentric conversation. As she oscillates between vulnerability and manic energy, Joel struggles to keep up with her shifting moods while feeling an undeniable connection.

Olive Penderghast visits a Catholic confessional despite not being religious to seek guidance on her spiraling reputation. She grapples with the guilt of her 'harlot' persona and the unintended consequences her lies have had on the adults and peers in her life.

Olive Penderghast addresses her peers through a webcam to address the escalating rumors regarding her promiscuity. She adopts a witty, self-deprecating tone to reclaim her narrative and set the record straight about her reputation.

Olive addresses her webcam, lamenting the lack of grand romantic gestures in real life compared to 1980s teen movies. She expresses a desire for her life to mirror a John Hughes film while acknowledging the mundane reality of her current situation.

Rhiannon confronts Olive over rumors that she lost her virginity to a social outcast at a party. As Rhiannon adopts a judgmental and 'pious' stance regarding Olive's reputation, the conversation devolves into a heated argument about loyalty, slut-shaming, and jealousy.

A socially anxious and lonely man named Barry calls a phone sex line for the first time. He is visibly nervous and paranoid about his privacy, attempting to use a pseudonym while simultaneously providing his real social security number and address to the operator.

Lorenz Hart, a brilliant but troubled playwright, drunkenly confesses his infatuation for a woman named Elizabeth to a weary bartender. He passionately claims his internal emotions could outshine his greatest professional successes while struggling with his own erratic behavior.

A lonely small-business owner engages in a phone sex call only to be contacted the next morning by the woman, who attempts to extort him for rent money. Barry's initial awkwardness turns to genuine fear when she reveals she has his personal information and threatens to contact his family.

Barry attempts to purchase a massive quantity of individual pudding cups to exploit a frequent flyer mile loophole. He faces the frustration and skepticism of a grocery store clerk while struggling with his own social anxiety and desperation.

Bella Baxter explains the scientific markings on her thighs to a bewildered Duncan Wedderburn during a sexual encounter. Her blunt, clinical honesty regarding a previous encounter with another man causes Duncan to abruptly lose interest and leave the room.

After a sudden outburst of destructive rage, Barry attempts to gaslight a restaurant manager about the damage he caused to a bathroom stall. The scene highlights Barry's social anxiety and his desperate, childlike attempts to avoid consequences despite his bleeding hand and obvious guilt.

Barry explains an elaborate frequent flyer mile loophole involving Healthy Choice pudding to his date, Lena. As he realizes how eccentric he sounds, he begins to backtrack and lie about his involvement to avoid judgment.

In a hotel room, Barry and Lena share an intimate moment that escalates into a bizarre exchange of 'cute aggression.' They express their intense affection for one another through increasingly violent and surreal metaphors, finding a unique and unsettling common ground in their shared eccentricity.

Eleanor Shellstrop learns from an architect named Michael that she has died and successfully made it into 'The Good Place'. Michael explains the embarrassing circumstances of her death and the surprising truth about which earthly religions got the afterlife right.

After realizing her presence is causing chaos in the afterlife, Eleanor attempts to convince Chidi, an ethics professor, to teach her how to be a good person. She argues that she deserves a 'medium' fate rather than eternal torture and proposes that she become his ultimate ethical experiment.