Browse Acting Monologues & Scenes

The Pitt

by R. Scott Gemmill

Robby, a dedicated ER doctor, is confronted by Gloria, a hospital administrator, regarding low patient satisfaction scores. The argument escalates into a heated debate over hospital ethics, understaffing, and the systemic practice of 'boarding' patients in the ER to save money. Robby threatens to go to the press, leading Gloria to issue a veiled threat against his career.

Long Day's Journey Into Night

by Eugene O'Neill

A tense confrontation between a father and son regarding the younger brother's failing health and the family's history of denial. Jamie accuses his father of being a miserly provider who prioritizes real estate over his son's medical care, while Tyrone retaliates by attacking Jamie's lack of ambition and reliance on his father's influence.

Twenty Five Twenty One

by Kwon Hye-joo

A poignant reunion between a father and son where they confront the trauma of past financial ruin and the recent psychological toll of reporting on 9/11. The scene explores themes of shared hopelessness, parental guilt, and the burden of family responsibility.

Twenty Five Twenty One

by Kwon Hye-joo

A poignant reunion between a father and son who have both been weathered by financial and national crises. They share a vulnerable moment of mutual forgiveness, discussing the weight of responsibility and the hope required to survive traumatic times.

F1: The Movie

by Ehren Kruger

Ruben, an F1 team owner, tracks down his old friend Sonny at a laundromat to convince the former racing prodigy to come out of retirement. Despite Sonny's skepticism about the team's failing car and his own age, Ruben appeals to their shared history and the lure of one last shot at greatness.

Love

by Judd Apatow, Lesley Arfin, Paul Rust

Mickey attempts to fire Rob over the phone while riding in an Uber, leading to a chaotic and awkward confrontation. The scene highlights Mickey's lack of professional boundaries and her struggle to handle adult responsibilities as Rob accuses her of being under the influence.

Only Fools and Horses

by Steven Cragg, Brian Bradley

Del Boy tries to convince Rodney that pursuing a corporate career is a mistake, using a local regular as a cautionary tale. He argues that their status at the bottom of the economic ladder is actually a competitive advantage during a recession.

Love, Victor

by Isaac Aptaker, Elizabeth Berger

Victor asks his father for advice on how he knew his mother was 'the one.' His father shares a vulnerable story about their first date, shifting from his initial superficial intentions to a moment of deep emotional connection. The scene highlights the bond between father and son as Victor navigates his own complicated feelings about relationships.

Love, Victor

by Isaac Aptaker, Elizabeth Berger

A mother catches her teenage daughter attempting to send an inappropriate photo to her long-distance boyfriend. The confrontation shifts from a disciplinary moment to a vulnerable conversation about self-worth and the difficulty of letting go as a parent.

Vincenzo

by Vincenzo Cerami, Roberto Benigni

Guido practices the art of waiting tables under the strict but philosophical guidance of his uncle. The scene balances the physical comedy of service techniques with a deeper lesson on dignity and the distinction between serving and being a servant.

The Apartment

by Billy Wilder, I.A.L. Diamond

Bud and Fran share a flirtatious and witty exchange in a crowded elevator about Bud's cold and Fran's new haircut. The scene highlights their easy chemistry while subtly touching on the workplace dynamics and harassment Fran faces from other executives.

The Apartment

by Billy Wilder, I.A.L. Diamond

Bud, a low-level office worker, confronts his superior, Mr. Kirkeby, about overstaying his welcome in the apartment Bud lends out for trysts. Kirkeby manipulates Bud by dangling a potential promotion at the firm to ensure continued access to the flat.

The Apartment

by Billy Wilder, I.A.L. Diamond

A married executive tries to usher his mistress out of a borrowed apartment as quickly as possible while she playfully teases him about his infidelity. The scene highlights the transactional and cynical nature of their affair against the backdrop of corporate office politics.

A View From the Bridge

by Arthur Miller

Eddie Carbone issues a stern warning to his wife and niece about the extreme dangers of revealing the presence of illegal immigrants in their home. He uses the brutal cautionary tale of Vinny Bolzano to illustrate the social ostracization and violence that awaits anyone who betrays their community to the authorities.

A View From the Bridge

by Arthur Miller

Eddie expresses his overprotective and increasingly suffocating concern over Catherine's maturing appearance and behavior. Catherine seeks his approval for her new look, but the conversation shifts into a tense confrontation about her innocence and his possessive boundaries.

The Handmaiden

by Seo-Kyung Chung, Chan-wook Park

Sookhee arrives at a secluded estate to serve as a handmaid to the mysterious Lady Hideko. As they navigate their first meeting, a complex power dynamic emerges through discussions of literacy, beauty, and the Count, masking Sookhee's hidden agenda.

A Doll's House

by Henrik Ibsen

Nora Helmer reunites with her childhood friend, Mrs. Linde, after many years apart. The scene contrasts Nora's seemingly perfect, prosperous life with Christine's hardship and widowhood, while Nora secretly hints at the sacrifices she made to save her husband's life.

The Help

by Tate Taylor

Aibileen reflects on her life as a domestic worker and the generational cycle of servitude during a clandestine interview. The scene highlights the emotional toll of raising white children while grieving her own son, culminating in a tender moment where she instills self-worth in her young charge.

The Glass Menagerie

by Tennessee Williams

A volatile domestic confrontation where Tom explodes at his overbearing mother, Amanda, over her interference in his private life and his soul-crushing job. Tom fights for his autonomy and creative freedom while Amanda desperately tries to maintain moral control and financial security for the family.

The Legend of 1900

by Giuseppe Tornatore

A down-on-his-luck trumpet player attempts to sell his beloved instrument to a cynical shop owner, only to be moved by a mysterious recording. The scene explores themes of lost glory, the intrinsic value of art versus its market price, and the haunting power of a forgotten musical genius.

Life on Mars

by Matthew Graham, Tony Jordan, Ashley Pharoah

DCI Gene Hunt confronts DI Sam Tyler after Sam has been compromised by a witness. Gene reveals that Sam was the victim of a 'honey trap' designed to blackmail him, highlighting the clash between Sam's modern ethics and the gritty reality of 1970s policing.

Trainspotting

by John Hodge

Spud attempts to sabotage a job interview while high on speed to ensure he continues receiving unemployment benefits without actually getting hired. He oscillates between manic honesty about lying on his application and bizarre, inappropriate tangents about his violent friends, much to the bewilderment of the panel.

Swordfish

by Skip Woods

Stanley, a recently released convict, calls his ex-wife Melissa to speak with their daughter, Holly. The conversation quickly turns hostile as Melissa threatens him with legal action and asserts that her wealthy new husband is now the girl's father, leaving Stanley in a state of desperate rage.

Heartbreak High

by Marieke Hardy

Amerie breaks down in front of her mother, Huma, overwhelmed by guilt for failing her friend. As they discuss the trauma her friend endured, Amerie's grief turns into a burning desire for vengeance against those who caused the suffering.