Showing 5 of 5 scenes
Barbie
by Greta Gerwig, Noah Baumbach
A narrator describes the whimsical, logic-defying reality of Barbie Land as Barbie goes through her morning routine. The scene highlights the imaginative play of children where physical laws like gravity and functional plumbing are replaced by the joy of 'nothing' and 'magic'.
Barbie is shocked to discover Ken has stowed away in her convertible as she attempts to leave Barbie Land for the Real World. Ken desperately pleads to join her, citing his 'professional' skills in Beach and his need to maintain his social standing among the other Kens.
Barbie confronts the leadership of Mattel, only to realize that the company responsible for her existence is run entirely by men. She questions the corporate hierarchy while the executives awkwardly attempt to justify their positions.
Stereotypical Barbie visits Weird Barbie to seek a cure for her sudden physical imperfections and existential dread. Weird Barbie explains the connection between the doll and her real-world player, eventually presenting a Matrix-style choice between remaining in a blissful ignorance or seeking the truth of the universe.
Ken reveals his new patriarchal 'Mojo Dojo Casa House' to a horrified Barbie, showcasing how he has brainwashed the other Barbies into subservient roles. The scene highlights Ken's newfound sense of entitlement derived from his brief experience in the real world and his desire to transform Barbie Land into a male-dominated society.
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