Browse Scenes

Vladimir and Estragon engage in a rhythmic, existential stichomythia about the 'dead voices' that haunt their silence. They struggle to maintain a conversation to distract themselves from the anguish of waiting and the void of their existence.

In the final moments of the play, Vladimir and Estragon contemplate suicide and the possibility of leaving, only to remain trapped in their cycle of waiting for the mysterious Godot.

Two tramps, Vladimir and Estragon, reunite by a leafless tree to wait for the mysterious Godot. They engage in circular, existential banter regarding their physical ailments, their past, and the futility of their existence.

Vladimir opens the second act with a recursive song about a dog before being reunited with a weary and battered Estragon. The scene explores their codependent relationship and the repetitive, cyclical nature of their existence.