Browse Scenes

Bottom awakens alone in the woods after his magical transformation and encounter with the Fairy Queen, Titania. He struggles to articulate the profound and surreal nature of his 'vision,' ultimately deciding to have a ballad written about the experience to perform for the Duke.

Oberon describes a lush, magical grove where Titania sleeps before plotting to use a magical flower juice to manipulate the affections of both his queen and a young Athenian man. He instructs his servant to use the potion to ensure a disdainful youth falls in love with the woman pursuing him.

Prospero addresses the spirits of the island, recounting the immense supernatural feats he has achieved through his magic. He ultimately declares his intention to renounce his powers, break his staff, and drown his book of spells in favor of returning to the mortal world.

King Uther is confronted by the sorceress Nimueh, who reveals the dark truth behind Arthur's birth and the price of the magic Uther once requested. As Nimueh seeks vengeance for the purge of her kind, Uther must face the devastating reality that his own past choices have put his son's life in immediate peril.

Merlin confronts the Great Dragon after failing to keep the magical sword Excalibur out of King Uther's hands. The Dragon reveals that Merlin's betrayal has cursed the blade, decreeing that the weapon intended for Arthur will now be the instrument of his eventual doom.

Grainier attempts to tend to the broken leg of a feral child he believes to be his lost daughter, Kate. After a brief, tender moment of care and recognition, he wakes to find her fleeing back into the wilderness, leading to a heartbreaking final goodbye.

Newt expresses his anxieties to Jacob about reuniting with Tina in Paris, particularly his jealousy over her new boyfriend. Jacob attempts to give Newt romantic advice, warning him against using awkward magical creature metaphors to describe her beauty.

Two brothers clash over their differing moral philosophies and involvement with the Ministry of Magic. Theseus attempts to warn Newt about the increasing surveillance and the impending necessity of choosing a side in the brewing wizarding war.

Newt attempts to apologize to Tina for his harsh words regarding Aurors while trying to explain why he admires her unique perspective. He uses a clumsy magical metaphor to express that she is the only one with the vision to see the truth, leading to a moment of awkward romantic tension.

While searching for records in the French Ministry of Magic, Newt and Tina finally address the misunderstandings regarding Newt's supposed engagement. Newt clumsily attempts to express his true feelings for Tina, comparing the unique quality of her eyes to that of a salamander.

A narrator describes the whimsical, logic-defying reality of Barbie Land as Barbie goes through her morning routine. The scene highlights the imaginative play of children where physical laws like gravity and functional plumbing are replaced by the joy of 'nothing' and 'magic'.

In the library at my junior high they have these huge computer monitors. The size of small refrigerators. Three-feet high some of them. The most beautiful screen savers you’ll ever see. Mountains. Waterfalls. Pictures of magic cities. Colors that haven’t even been invented yet. If you stand next to the hard drives and listen real close you can hear them singing. Like hummingbirds. A gazillion megahertz of ram just whirling away. Sometimes I go real early in the morning. When nobody’s there. And I just listen. I listen for a while and then for some reason I hug each monitor. One by one. There’s like fifty of them. I hug each one and I get a little part of that song inside me. It’s the most beautiful way to start the day. I think those birds on the rhinos are so cool. In the library, there’s this one African Grassland screen saver with little birds. They ride around on this elephant and eat the bugs off its back. There’s a lion, too, but he doesn’t do anything. The elephant walks around and drinks water out of the wallows. That’s where the rhinos play with their kids.

Spencer, a white advertising executive, attempts to justify marketing unhealthy processed cheese to low-income African American families. He uses a manipulative 'Disney World' metaphor to argue that the product provides a sense of safety and magic in a harsh environment.