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The Brutalist
by Brady Corbet, Mona Fastvold
During a formal dinner, Laszlo Toth discusses the forced separation from his wife and niece in post-war Europe. The Hoffmans and Van Buren offer legal and political assistance to help navigate the complex immigration laws of the United States.
Laszlo confronts his cousin Attila about his new Americanized identity and business name while providing a blunt critique of the showroom's furniture. The scene highlights the tension between artistic integrity and the pragmatic survival of immigrants in post-war America.
