Browse Scenes

Mitchell and Becca share a coffee at the hospital canteen where Mitchell struggles to hide his vampiric nature behind the guise of nicotine withdrawal. He opens up about his history of destructive relationships and his desire for a normal life, while Becca offers a humorous and blunt perspective on family dynamics.

Clementine visits Dr. Mierzwiak to discuss her failing relationship and her desire to erase her memories. She struggles to articulate her dissatisfaction, oscillating between the desire for a cinematic romance and the practical pressure of settling down as she gets older.

Althea recounts a frustratingly mundane sex dream to her ex-partner, Chris. She uses the dream's bureaucratic setting to highlight the lack of passion and the clinical nature of their past relationship.

David attempts to mentor Andy after discovering his secret, offering a hilariously cynical yet sincere perspective on the pain and necessity of romantic relationships. He shares his own heartbreak to encourage Andy to step out of his comfort zone and rejoin the dating world.

Maddy and Jules observe the sweet, uncomplicated relationship between Kat and Ethan, leading Maddy to question her own capacity for a healthy romance. She confesses her fear that a relationship without 'darkness' or toxicity might never feel like enough for her.

Lisa recounts a poignant story from her childhood about her father's devotion to her dying mother. She reflects on how this standard of unconditional love has shaped and complicated her adult romantic relationships.

A frustrated, reflective, angry Jude's monologue from "Pramkicker" by Sadie Hasler.

A contemplative, vulnerable, reflective W's monologue from "LUNGS" by Duncan Macmillan (UK).

A conflicted, rationalizing, romantic Unnamed Male Character's monologue from "Goodbye Charles" by Gabriel Davis.

A desperate, pleading, emotional, determined Patsy's monologue from "Little Murderers" by Jules Feiffer. Genre: comedy.

Ricky and Jane film each other while discussing their troubled relationships with their fathers and Ricky's time in a psychiatric hospital. The conversation shifts from vulnerable confessions to a dark, half-serious joke about murder.

James attempts to justify his infidelity by blaming the lack of clear communication from women. He expresses frustration over the conflicting expectations placed on men to be both traditionally masculine and emotionally sensitive.

On her wedding day, Patsy confronts her nihilistic and passive fiancé, Alfred. She desperately pleads with him to engage with life and allow her to mold him into the man she needs.

James attempts to justify his infidelity just before his wedding, shifting between defensive frustration regarding gender expectations and a final, blunt admission of his own poor behavior.