Browse Scenes

Eleanor Shellstrop learns from an architect named Michael that she has died and successfully made it into 'The Good Place'. Michael explains the embarrassing circumstances of her death and the surprising truth about which earthly religions got the afterlife right.

Hawthorne explains his obsession with finding a specific book to a wounded and skeptical Redridge. He views the text not as literature, but as a powerful psychological weapon capable of controlling the masses and expanding his rule over the post-apocalyptic landscape.

A guilt-ridden man named Jack confesses to a priest about a hit-and-run accident that claimed the lives of a man and two young girls. He struggles with the weight of his actions and the possibility of divine forgiveness while the priest attempts to guide him toward repentance.

A philosophical, menacing, ritualistic, intense REMMICK & SAMMIE's duologue from "Sinners" by Ryan Coogler.

A hysterical, fearful, self-righteous, accusatory Mary Warren's monologue from "The Crucible" by Arthur Miller. Genre: drama.

Fiona desperately bargains with God to avoid an unwanted pregnancy after a sexual encounter with Ewan. She lists the potential collateral damage to her family and her future while recounting a recent good deed as leverage.

Nina delivers a sharp, cynical critique of the concept of karma and divine justice to Malcolm. She argues that believing people get what they deserve is a form of intellectual laziness and a way for the fortunate to feel smug while the suffering are silenced.

Fiona, a teenage girl in Scotland, attempts to negotiate with God after a sexual encounter. She lists her recent good deeds and the potential fallout of an unplanned pregnancy as leverage to avoid being pregnant.