Browse Scenes

Nolan Sorrento attempts to bribe Wade Watts into joining IOI to help find Halliday's Easter egg, offering him immense wealth and resources. When Wade refuses on moral grounds, Sorrento reveals he has uncovered Wade's real-world identity and location, escalating the meeting from a business negotiation to a deadly threat.

Lorenz Hart and Richard Rodgers confront the fracturing of their legendary partnership during a tense encounter at Sardi's. As Rodgers celebrates the success of Oklahoma! with his new collaborator, a spiraling Hart desperately tries to reassert his creative relevance while Rodgers forces him to face the reality of his alcoholism and reliability.

Roone Arledge, the head of ABC Sports, asserts his authority during the 1972 Munich Olympics hostage crisis. He passionately argues that his sports crew is better equipped to cover the unfolding tragedy in real-time than the traditional news division.

Archer confronts a high-level diamond executive to negotiate a finder's fee for a massive pink diamond. Despite the executive's attempt to record the conversation and maintain a moral high ground, Archer uses market leverage and corporate secrets to force a deal.

Adam, a film director, discovers his credit cards and bank accounts have been frozen, leaving him stranded. He calls Cynthia, who informs him that a mysterious figure known as 'The Cowboy' wants a meeting, suggesting a dark conspiracy is unfolding around his career.

Barbie confronts the leadership of Mattel, only to realize that the company responsible for her existence is run entirely by men. She questions the corporate hierarchy while the executives awkwardly attempt to justify their positions.

While buried alive in a coffin, Paul Conroy receives a phone call from his employer's personnel director. Instead of offering help, the director uses a recorded legal script to terminate Paul's employment retroactively, stripping him of insurance benefits for his family while he faces certain death.

Lopakhin returns from the auction to announce that he has purchased the family estate where his ancestors were once serfs. He experiences a manic surge of joy and vindication, declaring his plans to destroy the orchard to make way for modern villas.

A corporate executive delivers a hollow, PR-managed apology to a young man whose mother has been left comatose and physically buoyant by a failed product. While Michelle attempts to use corporate buzzwords to mitigate legal damage, Teddy struggles to physically hold his floating mother down to earth.

Michelle wakes up in a basement, kidnapped by Teddy and Don who believe she is an undercover alien from Andromeda. Despite her shaved head and the bizarre accusations, Michelle attempts to use her corporate negotiation skills to regain control of the situation, while Teddy remains convinced that her human poise is merely a sophisticated extraterrestrial facade.

Michelle, a ruthless and polished CEO, attempts to record a corporate video about diversity but quickly loses her patience with the script. She masks her professional frustration with sharp, condescending wit, ultimately belittling her diversity consultant under the guise of 'progressive' humor.

Jame Eagan confronts Helly in the Macrodata Refinement office, revealing his disturbing obsession with the legacy of Kier Eagan. Helly defiantly challenges his cult-like devotion and the 'hell' his family created, while Jame cryptically hints at his daughter's true purpose.

A sardonic, condescending, authoritative, intelligent Miranda Priestly's monologue from "The Devil Wears Prada" by David Frankel and Aline Brosh McKenna.

A frustrated, defiant, heartbreaking LUCY & KOERNER's duologue from "Being the Ricardos" by Aaron Sorkin.

A philosophical, cynical, revealing DON & RACHEL's duologue from "Mad Men" by Matthew Weiner. Genre: drama.

A vulnerable, intimate, professional DON & MIDGE's duologue from "Mad Men" by Matthew Weiner. Genre: drama.

A tense, triumphant, philosophical DON & ROGER & LEE GARNER SENIOR & LEE GARNER JUNIOR & PETE's group from "Mad Men" by Matthew Weiner. Genre: drama.

A tense, comedic, awkward, authoritative MICHAEL & DWIGHT & STANLEY & PAM & EMPLOYEE's group from "The Office: An American Workplace" by Greg Daniels Adapted from the original script by Stephen Merchant and Ricky Gervais. Genre: comedy-drama.

A apologetic, surprising, uncertain, formal LASZLO & HARRY LEE's duologue from "The Brutalist" by Brady Corbet & Mona Fastvold. Genre: drama.

A formal, nervous, impressed, critical Laszlo and Harry Lee's duologue from "Unknown" by Unknown. Genre: drama.

Fleabag attempts to secure a small business loan for her guinea pig-themed cafe. The meeting goes disastrously wrong when a wardrobe mishap is misinterpreted by the bank manager as a sexual proposition in a post-harassment-scandal climate.

Lopakhin returns from the auction to announce that he has purchased the estate where his ancestors were once serfs. Overwhelmed with a mix of joy and disbelief, he declares his intention to cut down the orchard to make way for new villas.

Marcus, a smooth-talking marketing executive, attempts to hit on a beautiful woman he sees in the lobby, only to discover she is his new boss and the person who took the promotion he was expecting.

Peggy presents her initial research on a vibrating weight loss belt to Don. The conversation takes an awkward turn as they both realize the product's unintended 'benefit,' leading Don to offer his first piece of mentorship regarding the creative process.