Browse Scenes

Kelly erupts in anger at Yorkie, explaining the deep history of her forty-nine-year marriage and the loss of her daughter. She confronts Yorkie's naive view of an eternal digital afterlife, revealing the painful sacrifice her husband made by choosing to die naturally rather than 'pass over' without their child.

Yorkie pleads with Kelly to 'pass over' and join her permanently in the digital afterlife of San Junipero. The scene explores the tension between Yorkie's desire for an eternal future together and Kelly's hesitation to commit to a simulated forever.

Neil explains the supernatural reality of 'The Fades' to a bewildered Paul while sitting on the edge of a high roof. He reveals the existence of an ancient order of protectors and the grim, random nature of the afterlife.

Kelly discovers the tragic backstory of Yorkie's paralysis and the legal hurdles preventing her from 'passing over' into the digital afterlife. Greg explains his plan to marry Yorkie as a legal formality to override her religious family's objections, while Kelly pleads for one last unauthorized visit to the simulation.

Eleanor Shellstrop learns from an architect named Michael that she has died and successfully made it into 'The Good Place'. Michael explains the embarrassing circumstances of her death and the surprising truth about which earthly religions got the afterlife right.

After realizing her presence is causing chaos in the afterlife, Eleanor attempts to convince Chidi, an ethics professor, to teach her how to be a good person. She argues that she deserves a 'medium' fate rather than eternal torture and proposes that she become his ultimate ethical experiment.

Michael, an architect of the afterlife, explains the complex points-based system that determined why the gathered crowd has been admitted to 'The Good Place'. He reveals the existence of soulmates and the grim fate of those who didn't make the cut, all while maintaining a cheerful, slightly eccentric demeanor.

Sonya attempts to comfort her despairing uncle by offering a vision of peace and spiritual redemption after a lifetime of toil. She argues that their current suffering and hard work will be rewarded in the afterlife, where they will finally find the rest that eludes them now.

Claudio expresses his visceral and overwhelming terror of death to his sister, Isabella. He vividly imagines the physical decay of the body and the potential spiritual torments of the afterlife, concluding that even the most miserable life is preferable to the unknown horrors of the grave.