Showing 14 of 14 scenes
Joan Is Awful
by Charlie Brooker
Joan discusses her feelings of stagnation and lack of agency during a therapy session. She confesses to feeling like a bystander in her own life, trapped in a safe but unfulfilling relationship and a corporate job where she merely follows orders.
Joan and Salma Hayek break into the Streamberry server room to confront a technician about the show based on Joan's life. They are forced to face a mind-bending existential reality when they discover they are not real people, but digital likenesses living within a multi-layered simulation. The stakes escalate from a corporate break-in to a total breakdown of their perceived identities.
The Eye of the Dolphin
by Alan Shapiro
A dedicated marine scientist grapples with the pressure of saving his research facility from corporate development. He struggles to reconcile his cold, scientific data with the emotional and spiritual arguments needed to stop the destruction of the local ecosystem.
Road to Nardo
by Mike Gagerman, Andrew Waller
Evan and Jason argue in a car about Evan's attempts to reinvent himself as a mature professional. Jason mocks Evan's boring new lifestyle and corporate job, while Evan defends his desire to move past their juvenile habits.
Revolutionary Road
by Justin Haythe
April proposes a radical plan to Frank to move their family to Paris so he can escape his soul-crushing corporate job and find his true purpose. She challenges his sense of masculinity and their shared mediocrity, eventually convincing him to reclaim the potential she saw in him when they first met.
Blood Diamond
by Edward Zwick, Marshall Herskovitz
Archer confronts a high-level diamond executive to negotiate a finder's fee for a massive pink diamond. Despite the executive's attempt to record the conversation and maintain a moral high ground, Archer uses market leverage and corporate secrets to force a deal.
Barbie
by Greta Gerwig, Noah Baumbach
Barbie confronts the leadership of Mattel, only to realize that the company responsible for her existence is run entirely by men. She questions the corporate hierarchy while the executives awkwardly attempt to justify their positions.
Nightbitch
by Marielle Heller
Two mothers bond over the exhausting realities of stay-at-home parenthood and the loss of their professional identities. Jen reveals her past as a high-powered lawyer while the Mother confesses her secret fantasies of escaping her domestic life.
The Pitt
by R. Scott Gemmill
A high-stakes confrontation between an ER doctor and the Chief Medical Officer regarding plummeting patient satisfaction scores. Robby challenges the hospital's corporate greed and understaffing, while Gloria threatens his career if he doesn't fall in line with the institution's image.
A corporate regional manager attempts to recruit a skeptical doctor into a large contract management group. The scene explores the tension between medical ethics and the increasing privatization and corporate metrics of modern healthcare.
Bugonia
by Will Tracy
A corporate executive delivers a hollow, PR-managed apology to a young man whose mother has been left comatose and physically buoyant by a failed product. While Michelle attempts to use corporate buzzwords to mitigate legal damage, Teddy struggles to physically hold his floating mother down to earth.
Michelle wakes up in a basement, kidnapped by Teddy and Don who believe she is an undercover alien from Andromeda. Despite her shaved head and the bizarre accusations, Michelle attempts to use her corporate negotiation skills to regain control of the situation, while Teddy remains convinced that her human poise is merely a sophisticated extraterrestrial facade.
Michelle, a ruthless and polished CEO, attempts to record a corporate video about diversity but quickly loses her patience with the script. She masks her professional frustration with sharp, condescending wit, ultimately belittling her diversity consultant under the guise of 'progressive' humor.
Nightcrawler
by Dan Gilroy
Lou Bloom attempts to sell stolen scrap metal and aggressively pitches himself for a job, revealing his sociopathic drive and corporate-speak philosophy to a dismissive scrapyard owner.
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