Browse Acting Monologues & Scenes

Twenty Five Twenty One

by Kwon Hye-joo

A poignant reunion between a father and son where they confront the trauma of past financial ruin and the recent psychological toll of reporting on 9/11. The scene explores themes of shared hopelessness, parental guilt, and the burden of family responsibility.

Twenty Five Twenty One

by Kwon Hye-joo

A poignant reunion between a father and son who have both been weathered by financial and national crises. They share a vulnerable moment of mutual forgiveness, discussing the weight of responsibility and the hope required to survive traumatic times.

The Glass Menagerie

by Tennessee Williams

A volatile domestic confrontation where Tom explodes at his overbearing mother, Amanda, over her interference in his private life and his soul-crushing job. Tom fights for his autonomy and creative freedom while Amanda desperately tries to maintain moral control and financial security for the family.

The Glass Menagerie

by Tennessee Williams

Amanda confronts her daughter Laura after discovering that Laura has dropped out of business college and spent her days wandering the city in secret. The scene explores the crushing weight of Amanda's expectations and Laura's paralyzing social anxiety, culminating in a desperate discussion about their bleak financial future.

The Godfather

by Mario Puzo, Francis Ford Coppola

Sollozzo approaches Don Corleone with a lucrative proposal to enter the narcotics trade, seeking both financial backing and political protection. The Don ultimately refuses the offer to protect his political interests, but a strategic blunder by his son Sonny reveals a rift in the family's unified front.

Straight Outta Compton

by Andrea Berloff

In a quiet moment at a recording studio, Eazy-E confesses his financial struggles and personal regrets to Yella. He admits his mistake in siding with Jerry Heller over his friends and proposes the idea of an NWA reunion to reclaim their legacy.

The Shawshank Redemption

by Frank Darabont

Andy reveals to Red how he has used his financial expertise to create a fictional identity, Peter Stevens, to launder the Warden's money and protect himself. The scene highlights Andy's transformation from an honest banker to a sophisticated 'crook' within the prison walls, showcasing his resilience and intelligence.

Mission: Impossible

by David Koepp, Robert Towne, Steven Zaillian

IMF Director Kittridge reveals to Ethan Hunt that the entire mission was a 'mole hunt' designed to catch a traitor. Tensions escalate as Kittridge accuses Ethan of being the mole, using fabricated financial evidence against his family to provoke a confession.

Citizen Kane

by Herman J. Mankiewicz, Orson Welles

Charles Foster Kane confronts his former guardian and financial advisor, Mr. Thatcher, over his editorial attacks on big business. Kane articulates his dual identity as both a wealthy shareholder and a populist publisher, dismissively mocking Thatcher's concerns about the newspaper's massive financial losses.

Home Economics

by Michael Colton, John Aboud

After a heated family argument, Sarah attempts to storm out but realizes she left her keys inside her wealthy brother's house. Connor uses the awkward moment to attempt a reconciliation with his siblings, while Tom and Marina privately debate the humiliation of asking Connor for a loan.

Marty Supreme

by Ronald Bronstein, Josh Safdie

Following a sexual encounter, Marty and Kay engage in a tense power struggle as Kay prepares for her theatrical comeback. The conversation devolves into a series of personal attacks regarding financial security, artistic integrity, and the transactional nature of their relationship.

Marty Supreme

by Ronald Bronstein, Josh Safdie

Marty and Dion attempt to pitch a revolutionary orange ping pong ball to Dion's skeptical father, Christopher Galanis. The scene highlights the tension between Dion's desire for professional respect and his father's dismissive attitude, culminating in a power struggle over the business's financial limits.

Warrior

by Gavin O'Connor, Anthony Tambakis, Cliff Dorfman

Brendan informs his wife Tess that he has been accepted into a high-stakes MMA tournament. Tess expresses her fear for his safety and her frustration over his unilateral decision, leading to a painful emotional standoff about the family's financial survival versus Brendan's physical well-being.

Breaking the Girl

by Mark Ghanimé, Sebastian Gutierrez

Sara reveals to Alex that her partner Nina is planning to betray her and keep their stolen money for herself. As Alex spirals into an emotional breakdown over the betrayal, Sara manipulates her into a new alliance, proposing a lethal plan to eliminate Nina and split the inheritance. The scene explores themes of manipulation, revenge, and the desperate lengths characters will go to for financial security.

The Ballad of Buster Scruggs

by Joel Coen, Ethan Coen

On a wagon train heading West, Billy Knapp awkwardly proposes marriage to Alice Longabaugh as a practical solution to her financial debts and his own fear of aging alone. The two navigate the social and economic realities of the frontier while discovering a mutual, quiet respect for one another.

The Big Short

by Charles Randolph, Adam McKay

Mark Baum and his team interview two arrogant mortgage brokers to understand the reality of the housing market. The brokers boast about their predatory lending practices and the lack of oversight, confirming Mark's fears about a systemic financial collapse.

The Big Short

by Charles Randolph, Adam McKay

Mark Baum and Vinny Daniel confront a representative from Standard & Poors regarding the refusal to downgrade failing subprime mortgage bonds. The tension peaks when Georgia admits that the agency provides high ratings simply to prevent banks from taking their business to competitors, exposing the systemic corruption of the financial crisis.

War Horse

by Lee Hall, Richard Curtis

Ted Narracott returns home having impulsively spent the family's rent money on a thoroughbred colt instead of a working plow horse. His wife, Rosie, reacts with horror at their impending financial ruin, while their son Albert begs for the chance to keep and train the animal.

Midnight Run

by George Gallo

A bounty hunter and his captive accountant engage in a psychological battle of wits on a train. While Jack focuses on his financial goal of opening a coffee shop, John uses his neurotic charm to dismantle Jack's life choices and health habits, leading to a reveal about Jack's past as a Chicago cop.

The Bear

by Christopher Storer

Carmy and the kitchen staff attempt to calculate the costs of renovating the restaurant into 'The Bear'. As the team lists essential repairs and upgrades, the budget quickly spirals out of control, highlighting the financial stress and chaotic group dynamic of the crew.

Time

by Jimmy McGovern

Mark, a newly incarcerated man, is confronted by his cellmate Bernard, who is increasingly paranoid and erratic. Bernard interrogates Mark about his personal life before launching into a cynical, intense rant about the corruption and financial waste within the prison system.

The Bear

by Joanna Calo

Sydney attempts to explain her new business venture and 'sweat equity' arrangement to her skeptical father. The conversation turns tense as Emmanuel voices his fears about her repeating past failures, highlighting the generational gap between artistic ambition and financial security.

Shetland

by Davy Kane

Duncan seeks refuge at Perez's house after discovering his partner is leaving him for someone else and selling their home. As Duncan reveals his financial struggles and the end of his relationship, the two friends navigate the awkward but supportive boundaries of their shared history.

The Brutalist

by Brady Corbet, Mona Fastvold

A wealthy industrialist, Van Buren, tracks down a struggling immigrant architect, Laszlo, to apologize for his previous behavior and settle a debt. Van Buren reveals he has discovered Laszlo's prestigious Bauhaus background and offers him both financial restitution and a chance to see his work properly recognized.