Browse Scenes

Following their first intimate encounter, Kelly and Yorkie share a vulnerable moment of honesty regarding their pasts and sexual identities. Yorkie reveals her lack of experience while Kelly opens up about her long-term marriage and her philosophy on living for the moment before their time in San Junipero expires.

In a vibrant 1980s-themed bar, the outgoing Kelly befriends the shy and hesitant Yorkie. Kelly challenges Yorkie's insecurities and social anxieties, eventually coaxing her onto the dance floor for a moment of liberation.

During an intense game of Dungeons and Dragons, a group of young friends faces a high-stakes decision in their campaign. The tension of the game mirrors their real-world bond until Mike's mother interrupts to end the session, forcing them to confront the reality of their curfew.

King Robert Baratheon visits the tomb of his lost love, Lyanna Stark, and shares a moment of grief and nostalgia with his oldest friend, Ned Stark. Amidst the shadows of the crypt, Robert asks Ned to serve as Hand of the King and proposes a marriage alliance to unite their houses. The scene balances the heavy weight of past trauma with the political pressure of a new, unwanted responsibility.

Sam stands at the grave of a mutual friend, Essie, reflecting on the vibrant life she led and the bond the three of them once shared. He attempts to reconnect with Mary, acknowledging their recent distance and the profound sense of loss that now leaves their friendship feeling incomplete.

Gayev delivers an absurdly sentimental and grandiloquent speech to an old piece of furniture, revealing his inability to face the reality of his family's financial ruin. He clings to the past and the 'noble ideals' represented by the bookshelf while the world around him moves toward modernization and the sale of his estate.

Lyubov Andreyevna gazes out at her family's estate, reflecting on her lost innocence and the tragic personal history that led her away from home. She grapples with the crushing guilt of her past mistakes and the impending loss of the orchard, which she views as an inseparable part of her soul.

Earl, a veteran newsman, reflects on the polarized state of modern journalism and the loss of objective truth. He expresses a cynical nostalgia for the era of Walter Cronkite while attempting to convince Jerome to stay committed to their struggling publication.

A nostalgic, sensitive, philosophical Hershel's monologue from "Gemini" by Albert Innaurato. Genre: drama.

There’s a trolley graveyard about two blocks from here. I could go see the engine any time. The trolley graveyard is well, like, I guess, beautiful, you know? Really. They’re just there, like old creatures everyone’s forgotten, some of them rusted out, and some of them on their sides, and one, the old thirtytwo, is like standing straight up as though sayin’, like, I’m going to stand here and be myself, no matter what. I talk to them, Oh, I shouldn’t have said that. Don’t tell my mother, please? It’s, you know, like people who go to castles and look for, for, well, like, knights in shining armor, you know? That past was beautiful and somehow, like, pure. The same is true of the trolley