Browse Scenes

Following a violent supernatural outburst that destroyed their furniture, George, Mitchell, and Annie argue over the impending arrival of their landlord, who is also Annie's former fiancé. While Annie is desperate for news of her old life, George fears that her presence as a ghost will expose their secrets and endanger their domestic stability.

Lauren confronts Mitchell about abandoning her after turning her into a vampire, expressing her deep-seated resentment and her newfound bloodlust. Mitchell attempts to offer her a way out, but realizes that she has fully embraced her monstrous nature and the violent ideology of their creator, Herrick.

While hiding in a girls' bathroom after a life-threatening encounter, Paul tries to convince his best friend Mac that his apocalyptic dreams are becoming a reality. Mac uses humor and pop-culture references to deflect his own fear, while Paul struggles to process the supernatural events he has witnessed.

Mitchell and Becca share a coffee at the hospital canteen where Mitchell struggles to hide his vampiric nature behind the guise of nicotine withdrawal. He opens up about his history of destructive relationships and his desire for a normal life, while Becca offers a humorous and blunt perspective on family dynamics.

Neil explains the supernatural reality of 'The Fades' to a bewildered Paul while sitting on the edge of a high roof. He reveals the existence of an ancient order of protectors and the grim, random nature of the afterlife.

A troubled teenager, Paul, meets with his psychiatrist to discuss his recurring nightmares. While Paul initially deflects with a fabricated story about penguins, the scene shifts to a vulnerable moment where he expresses a deep-seated fear of losing his sanity.

After witnessing a supernatural attack, Karen seeks refuge in her apartment only to be cornered by a corrupt police officer working for the vampires. Blade intervenes with brutal force, saving Karen and revealing the existence of 'familiars'—humans who serve vampires in hopes of achieving immortality.

A routine autopsy turns into a nightmare when a supposed corpse reanimates and attacks the medical staff. The scene escalates into a high-stakes rescue mission as a mysterious hunter intervenes to save the surviving doctor from the supernatural predator.

Wednesday and Enid clash over the stark aesthetic and personality differences in their shared dorm room. As Wednesday insults Enid's social media presence and writing skills, the tension escalates into a supernatural standoff involving loud music and werewolf claws.

After Xavier saves Wednesday from a falling gargoyle, she confronts him about his motives, viewing his chivalry as a patriarchal tool. Xavier reveals their shared history involving a funeral and a crematorium, establishing a debt of gratitude that Wednesday is reluctant to acknowledge.

Ellen pleads with her husband Thomas not to leave on a long journey, haunted by a macabre premonition. She recounts a vivid dream where she married Death amidst a field of corpses, revealing a terrifying psychological connection to the darkness that threatens their future.

Thomas Hutter completes a real estate transaction with the mysterious Count Orlok in his dark castle. The tension rises as Orlok becomes obsessed with a locket containing a photo of Thomas's wife, eventually forcing Thomas to remain at the castle against his will.

Ellen describes her history of psychic premonitions and 'spells' to Professor Von Franz, revealing a traumatic past and a growing sense of dread. She confesses that her dark visions have returned since her husband's departure, questioning whether the encroaching evil is internal or external.

Professor Von Franz attempts to convince the skeptical Harding that the supernatural threat they face is not a mere ghost, but a physical manifestation of death itself. Von Franz argues that modern science has blinded humanity to ancient evils, while Harding struggles to reconcile his rational worldview with the terrifying reality of the vampire.

Ellen confesses to her husband Thomas that she has been spiritually and physically haunted by the vampire Count Orlok, revealing a dark connection that threatens their marriage. As Orlok's influence takes hold of her, Ellen descends into a demonic frenzy of rage and seduction, forcing Thomas to confront the terrifying reality of the evil that has followed him home.

Detective Hobbes confronts the body-hopping demon Azazel in a tense psychological standoff. Hobbes attempts to assert his moral authority and determination to stop the killings, while Azazel taunts him by attacking his sanity and highlighting the futility of fighting an incorporeal enemy.

In a tense standoff inside a lumber mill juke joint, Grace desperately pleads to rescue her husband while Annie explains the supernatural nature of the 'haints' hunting them. The group grapples with the realization that their friend is lost to a curse and discusses the spiritual stakes of the evil they face.

A revelatory, manipulative, desperate, tragic PEARLINE, SAMMIE, REMMICK, DELTA SLIM & SMOKE's group from "Sinners" by Ryan Coogler.

A philosophical, menacing, ritualistic, intense REMMICK & SAMMIE's duologue from "Sinners" by Ryan Coogler.

Bill meets a mysterious student named Heather who is fixated on a strange puddle that hasn't dried up despite a lack of rain. As they investigate the reflection, an unsettling realization begins to dawn on Bill, while Heather abruptly flees in fear.