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    Thriller
    Drama

    A Game for Dinner

    from Black Bag

    Written by David Koepp

    Black Bag

    During a tense dinner party, two intelligence operatives discuss a plan to identify a traitor among their guests using unconventional methods.

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    Scene PreviewExcerpt — subscribe to read full scene

    KATHRYN

    I can feel when you’re watching me.

    GEORGE

    Sorry.

    KATHRYN

    I like it.

    GEORGE

    I understand this is not the casual dinner you would prefer.

    KATHRYN

    It’s an unusual group. Across three of our departments. What are we hunting this time?

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Set in a private dressing space just before an unsettling dinner gathering, this scene from David Koepp's thriller features two intelligence operatives preparing to host their colleagues. As they dress for the evening, the couple casually discusses an unconventional, high-risk plan to expose a suspected traitor among their guests. The contemporary piece balances intimate domesticity with professional paranoia, establishing an electric atmosphere of deception and calculated danger.

    Character Analysis

    Kathryn and George are intelligence professionals in their forties who seamlessly integrate espionage into their personal partnership. Kathryn is watchful, pragmatic, and grounded, possessing a sharp tactical mind that instinctively calculates risks and practical consequences. George is stylish, bold, and quietly ruthless, favoring unorthodox and theatrical methods to outmaneuver his targets. Together, they share an intense bond where mutual attraction is intertwined with professional secrecy and competitive intellect.

    Why This Works for Auditions

    This dialogue offers exceptional audition material because it relies entirely on subtext, restraint, and sharp interpersonal chemistry. At roughly two minutes, the scene provides ample opportunity to showcase poise, sophisticated vocal delivery, and the ability to hold tension without raising your voice. It serves as a compelling vehicle for Leading Lady, Leading Man, and Detective casting types who want to display quiet authority and psychological depth on camera.

    Best Suited For

    This piece is an outstanding choice for actors aged 35 to 45 who need compelling material for self-tapes, agent showcases, or targeted screen practice. It works particularly well for performers pitching themselves for modern psychological thrillers, prestige crime dramas, or sophisticated espionage projects. Scene partners will also find it invaluable for building authentic listening habits and navigating complex romantic subtext.

    Performance Tips

    Focus on the effortless physical intimacy between the characters to ground the conversation in a lived-in relationship. Keep the delivery understated and conversational, allowing the shocking nature of their plans to emerge naturally through contrast rather than forced menace. Maintain an active inner life behind the eyes, using micro-reactions and charged pauses to convey how high the stakes truly are before the doorbell sounds.

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