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    duologue
    Comedy-Drama
    Romance

    A King in Babylon

    from The Admirable Crichton

    Written by J. M. Barrie

    On a deserted island, the social order has flipped; Crichton, once a butler, proposes to Lady Mary, asserting his natural right to lead and love.

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    Scene PreviewExcerpt — subscribe to read full scene

    CRICHTON

    Polly, there is only one thing about you that I don’t quite like. That action of the hands.

    LADY MARY

    What do I do?

    CRICHTON

    So--like one washing them. I have noticed that the others tend to do it also. It seems odd.

    LADY MARY

    Oh Gov., have you forgotten?

    CRICHTON

    What?

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    From J. M. Barrie's modern-classic comedy-drama The Admirable Crichton, this powerful duologue captures a dramatic inversion of status. Stranded on a deserted island, the rigid class conventions of England dissolve, placing Crichton, formerly a butler, in the position of natural leader. In this pivotal moment, he reflects on his evolution over two years of survival and confronts his romantic feelings for Lady Mary.

    Character Analysis

    Crichton, aged thirty-two, is an authority figure wrestling with internal honor and newfound power. Though elevated by circumstance into a sovereign role on the island, he remains deeply conscious of the servant he once was and genuinely desires to act rightly toward Mary. Lady Mary, in her twenties, has transformed from a haughty aristocrat into someone who fully respects and defers to Crichton, encouraging him to abandon the past class boundaries of England in favor of their present reality.

    Why This Works for Auditions

    This scene offers dynamic power dynamics and high emotional stakes wrapped in sophisticated modern-classic language. Actors can showcase both subtle comedic nuance and serious dramatic weight within a four-minute window. It provides leading performers an opportunity to demonstrate stillness, vocal command, and the vulnerability that arises when traditional authority conflicts with genuine romantic desire.

    Best Suited For

    This piece is ideal for drama school auditions, agent showcases, and general practice. It serves actors in the 25 to 35 age range who fit casting types such as Leading Man, Leading Lady, Authority Figure, or Sophisticated Romantic Lead. Performers seeking to demonstrate heightened classical delivery grounded by authentic emotional stakes will find this duologue particularly effective.

    Performance Tips

    Focus on the physicalization of status and how habitual behaviors betray inner turmoil. Crichton must balance the composure of a natural leader with the lingering memory of servitude, resisting the temptation to play him as merely arrogant. Lady Mary should avoid playing pure subservience; instead, bring forward the quiet strength and open sincerity of someone who has willingly shed social pretension. Maintain an underlying current of intimacy between both characters as they navigate survival, duty, and affection.

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