Skip to content
    Tv
    duologue
    Drama

    A Million Dollars in a JanSport

    from Task

    Written by Brad Ingelsby

    Task

    Maeve shows Bridget a backpack full of cash left by Robbie, debating whether to turn it in or hide it to start a new life.

    Start a free 7-day trial — 5 downloads a day, unlimited when Pro begins

    Rehearse this scene
    Rehearse on your terms

    Choose your role and voices for the other characters. Run the scene at your own pace.

    Scene PreviewExcerpt — subscribe to read full scene

    BRIDGET

    Holy shit.

    MAEVE

    I know.

    BRIDGET

    Can I touch it?

    touches the money

    Holy fuckin’ shit it’s real!

    MAEVE

    Sshhh! Bridg --

    BRIDGET

    What?

    End of preview. Continue with Pro below.

    7 days freeYour next rehearsal starts here

    Found your next scene? Make it yours.

    Start your free trial and read A Million Dollars in a JanSport in full, with access to 6,500+ monologues and scenes to explore next.

    • Read the full scene and explore the library
    • Download your script in a clean, printable format
    • Take it into rehearsal with the Script Reader
    Casting Types
    Get Feedback
    Coming Soon

    Want expert coaching on this scene?

    Browse our curated list of acting coaches, dialect specialists, and more.

    Find a Coach

    Need representation?

    Browse verified agents and casting directors in our directory.

    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This contemporary dramatic duologue from the television series Task, written by Brad Ingelsby, features a tense, high-stakes confrontation between two young women. Maeve reveals a JanSport backpack filled with cash to Bridget, throwing both characters into an intense moral and practical dilemma following Robbie's death. The conversation balances profound shock with rising paranoia as they debate whether to surrender the money or risk everything to secure their future.

    Character Analysis

    Maeve is deeply vulnerable, rattled by grief and an overwhelming fear that unseen forces are tracking her every move. Despite her terror, she feels a strong sense of loyalty to Robbie's memory and hesitates to throw away the sacrifice he made for them. Bridget acts as the grounded best friend, moving quickly past initial disbelief to offer pragmatic, protective survival instincts that cut through Maeve's panic.

    Why This Works for Auditions

    Clocking in at roughly two minutes, this scene offers two female actors a compelling showcase of quiet intensity and grounded realism. The dynamic hinges on active listening and shared history rather than explosive theatricality, creating a gripping sense of intimacy. Casting teams can clearly evaluate an actor's ability to navigate subtext, handle moral ambiguity, and maintain urgency within a contained, private space.

    Best Suited For

    This scene is best suited for actors aged 18 to 25 preparing material for self-tapes, general practice, or an agent showcase. It is particularly effective for performers targeting Leading Lady, Working Class, Best Friend, or Gritty casting types who want to demonstrate authentic emotional weight. It also functions well in classroom scene study when exploring how external danger influences private character relationships.

    Performance Tips

    Resist the urge to play the panic at a loud volume; keeping the voices hushed elevates the paranoia and reinforces the fear of being overheard. Ground the physical reality of the scene by treating the money as an emotional anchor tied to Robbie rather than just an abstract fortune. Pay close attention to the transitions between shock, fearful hesitation, and decisive planning so the final choice feels earned.

    No ratings yet
    Sign in to rate