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    Film
    duologue
    Drama

    A Time for Worry

    from Small Things Like These

    Written by Enda Walsh

    Small Things Like These

    Eileen and Furlong discuss Christmas gifts and finances, but a deeper sense of unease and exhaustion begins to surface in Furlong.

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    Scene PreviewExcerpt — subscribe to read full scene

    EILEEN

    Isn’t it great to see them not asking for the sun and the stars? We must be doing something right.

    FURLONG

    It’s mostly your doing, Eileen.

    EILEEN

    Sure we’re not a penny owed and that’s all down to you.

    EILEEN

    Do you think Sheila still believes in Santa?

    FURLONG

    I think she’s still wanting to believe. You wouldn’t know with her.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Enda Walsh for the film drama Small Things Like These, this two-minute contemporary duologue captures an intimate domestic moment between a married couple, Eileen and Furlong. Sitting together quietly as Christmas approaches, they discuss holiday gifts for their children and plan practical errands for the days ahead. Beneath the comforting rhythm of their routine conversation, subtle financial worries and a deeper sense of internal exhaustion begin to surface.

    Character Analysis

    Eileen is a grounded, observant matriarch who keeps the household running with quiet efficiency and warmth. She takes pride in keeping the family free of debt, manages the holiday expectations thoughtfully, and maintains an open door for neighbors despite their modest circumstances. Furlong, a working-class father in his forties, carries a heavy emotional weight that he struggles to articulate. While he remains gentle and affectionate with his wife, his subdued demeanor reveals a tired man wrestling with an unspoken internal conflict.

    Why This Works for Auditions

    This scene offers actors a masterclass in subtext and nuanced domestic realism. Rather than relying on explosive conflict or high-stakes exposition, the dramatic tension lives entirely between the lines and through the long-established shorthand of marriage. It gives performers a prime opportunity to demonstrate active listening, restraint, and the ability to convey profound vulnerability without melodrama.

    Best Suited For

    This piece is an excellent choice for actors in their mid-thirties to mid-forties targeting Everyman, Parent, Working Class, or Matriarch casting brackets. Its grounded two-person dynamic makes it especially valuable for self-tapes, agent showcases, and general scene study practice. Performers looking to demonstrate emotional maturity and subtle naturalism will find the material particularly effective.

    Performance Tips

    Resist the temptation to push for overt melancholy or rush through the silences between thoughts. Anchor your performance in the easy familiarity of a long partnership, letting domestic tasks and quiet glances carry as much weight as your spoken dialogue. Focus on what remains unsaid between the couple, allowing the underlying fatigue and mutual care to breathe naturally in the room.

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