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    Comedy-Drama

    A Visit to the Prisoner

    from The Devil’s Disciple

    Written by George Bernard Shaw

    Awaiting execution, Richard rejects Judith's romantic advances and explains his sacrifice was born of personal integrity rather than love.

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    Scene PreviewExcerpt — subscribe to read full scene

    RICHARD

    Mrs. Anderson: this visit is very kind of you. And how are you after last night? I had to leave you before you recovered; but I sent word to Essie to go and look after you. Did she understand the message?

    JUDITH

    Oh, don’t think of me: I haven’t come here to talk about myself. Are they going to—to—

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Set inside a prison cell as Richard awaits execution, this powerful modern-classic scene presents a tense, emotionally charged encounter between two contrasting figures. Judith arrives breathless and desperate, eager to ascribe romantic motives to his impending death. Instead, Richard deflects her sentimental assumptions and makes it clear that his sacrifice stems entirely from his own moral code and personal integrity rather than love. The interaction uncovers the vast divide between romantic fantasy and unvarnished truth.

    Character Analysis

    Richard is an anti-hero and rebel in his thirties whose flippant exterior masks a profound, uncompromising commitment to individual honesty. Even with his execution scheduled for noon, he refuses to flatter her romantic illusions or adopt the comforting posture of a martyr. Judith, a vulnerable woman in her twenties or thirties, is caught between acute guilt and unrequited feeling. She seeks desperately to find emotional justification for his actions to make sense of her world.

    Why This Works for Auditions

    This dramatic duologue provides performers with a compelling clash of objectives that sustains high stakes across its four-minute run time. Audition panels get to see two distinct casting types navigate complex subtext, shifting emotional control, and philosophical friction without collapsing into generic melodrama. The dynamic pushes both actors to demonstrate sharp verbal dexterity, psychological nuance, and generous, responsive listening under pressure. It functions as an ideal showcase for actors looking to demonstrate maturity and range.

    Best Suited For

    This scene is exceptionally well suited for drama school auditions, agent showcases, and advanced general practice. It is tailored for actors aged twenty-five to thirty-five who fit the Leading Man, Leading Lady, Anti-Hero, Rebel, or Vulnerable casting brackets. Performers seeking substantial modern-classic text will find plenty of room to highlight their technical discipline.

    Performance Tips

    Resist the temptation to play the grave circumstances with heavy-handed solemnity, as the scene's strength lives in its sharp contrasts. Richard should use his dry wit and apparent ease not as cold detachment, but as an authentic expression of his inner resolve. Judith must ground her breathless urgency in raw moral confusion and vulnerability, ensuring her desperation never deteriorates into one-note panic. Pay close attention to physical proximity and tempo shifts throughout the exchange.

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