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    Drama

    Act I, Scene 2 — I Am Invisible

    from Broken Fences

    Written by Steven Simoncic

    Hoody reflects on his past life of invisibility and violence in Garfield Park, recounting the day he was shot and how his physical scars eventually gave him an identity he is now trying to leave behind for a quiet, domestic life.

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    HOODY

    I am invisible. Been invisible all my life. When I was a kid I could go days, weeks without being seen. Throw my hood up over my head, eyes pushed way back deep inside, and poof . . . just disappear. Blend into the street . . . another shadow . . . another shade of black and grey on the stairs by the train.

    Beat.

    Started calling me Hoody. Ain’t…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This contemporary dramatic monologue comes from Steven Simoncic’s play Broken Fences and takes place in Act I, Scene 2. In this reflective moment, Hoody shares the history of his youth in Garfield Park, describing how he spent years blending into the background as an invisible figure. He recounts the specific day a sudden eruption of street violence left him wounded, tracing how physical scars ultimately forced him into visibility while he now seeks a quieter, domestic future.

    Character Analysis

    Hoody fits the mold of a gritty, working-class anti-hero who is carrying years of accumulated urban trauma. While his exterior is shaped by street smarts and survival instincts, his inner world is remarkably vulnerable and observant. He is actively processing how hiding behind emotional armor and neighborhood violence defined his youth. The struggle within him centers on self-definition, moving past the marks of his environment toward a renewed sense of personal agency.

    Why This Works for Auditions

    Running approximately two minutes, this dramatic monologue provides an exceptional emotional arc that moves from guarded detachment to visceral honesty. Casting directors and auditors appreciate material that allows an actor to deliver detailed narrative storytelling while maintaining active, present stakes. The text avoids melodramatic traps, offering instead a grounded, nuanced vehicle that demonstrates vocal control, physical presence, and the ability to hold an audience’s attention without external props.

    Best Suited For

    This piece is well suited for male performers playing between twenty-five and thirty-five who naturally fit gritty, working-class, or layered anti-hero casting profiles. It functions seamlessly as contemporary material for drama school auditions, self-tape submissions, agent showcases, and general dramatic practice. Directors seeking actors capable of expressing masculine vulnerability will find this an effective test of depth.

    Performance Tips

    Resist the urge to play the monologue with generalized street hostility; let Hoody’s reflections feel intimate, as if discovering the meaning behind his scars in real time. Anchor your delivery in precise sensory recollections of the incident rather than rushing the dramatic beats. Maintain an underlying stillness that contrasts with the violent subject matter, allowing the audience to perceive the domestic life your character longs to build.

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