Skip to content
    Tv
    duologue
    Comedy-Drama
    Romance

    Agree or Disagree

    from Shameless

    Written by Paul Abbott

    Shameless

    Steve challenges Fiona's defensive prejudices about his background through a high-stakes game of 'Agree or Disagree' that exposes her insecurities.

    Start a free 7-day trial — 5 downloads a day, unlimited when Pro begins

    Rehearse this scene
    Rehearse on your terms

    Choose your role and voices for the other characters. Run the scene at your own pace.

    Scene PreviewExcerpt — subscribe to read full scene

    STEVE

    What have I ever done... to anybody, nevermind you... to look 'unreliable'... Unreliable?

    FIONA

    People like you are way-too-used to getting your own way.

    STEVE

    'People like me' being people like... what?

    STEVE

    Okay, wait. Yes-No. All you have to do is, agree or disagree: 'He thinks the sun shines out of his own ass.'

    STEVE

    Agree, or d...

    End of preview. Continue with Pro below.

    7 days freeYour next rehearsal starts here

    Found your next scene? Make it yours.

    Start your free trial and read Agree or Disagree in full, with access to 5,500+ monologues and scenes to explore next.

    • Read the full scene and explore the library
    • Download your script in a clean, printable format
    • Take it into rehearsal with the Script Reader
    Casting Types
    Get Feedback
    Coming Soon

    Want expert coaching on this scene?

    Browse our curated list of acting coaches, dialect specialists, and more.

    Find a Coach

    Need representation?

    Browse verified agents and casting directors in our directory.

    Scene Notes & Audition Tips

    5 sections
    About This Scene

    From the BAFTA-winning contemporary television comedy-drama Shameless, written by Paul Abbott, this intense two-minute duologue captures a sharp confrontation between Steve and Fiona. Steve challenges Fiona's defensive prejudices about his background by initiating a pointed game of agree or disagree, cutting directly through her emotional armor to expose her romantic insecurities and class resentment.

    Character Analysis

    Steve is a charming, articulate leading man in his twenties who uses intellectual wit and persistent probing to break through the emotional walls around him. While he appears confident, his playful interrogation masks genuine frustration and a desperate need to be accepted for who he is rather than stereotyped. Fiona is a tough, fiercely guarded working-class leading lady who relies on defensive hostility to shield herself from potential hurt. Beneath her cynical exterior and sharp retorts lies deep vulnerability, rooted in a history of being let down by the people in her life.

    Why This Works for Auditions

    This scene offers exceptional dramatic momentum by establishing immediate conflict without requiring extensive exposition. It demands rapid, sharp comedic timing that seamlessly transitions into raw, vulnerable truth, giving both actors room to navigate complex subtext. Casting panels can clearly evaluate how performers handle shifting power dynamics, status play, and high-stakes romantic tension within a naturalistic contemporary setting.

    Best Suited For

    This duologue is an outstanding choice for actors aged eighteen to twenty-five preparing for drama school auditions, agent showcases, self-tape submissions, or general scene study. It is particularly valuable for performers targeting tough, working-class, charming, or leading types who want to display emotional depth and grit.

    Performance Tips

    Keep the early rhythm light and conversational so that the underlying tension builds naturally rather than starting at a fever pitch. Steve must drive the pace of the questioning with charisma rather than pure condescension, ensuring his actions stem from a genuine desire to connect. Fiona should ground her hostility in self-preservation, letting the audience see the precise moment when Steve's insights strike a nerve and challenge her worldview. Focus on the physical beats of retreat and confrontation to keep the high-stakes argument grounded in real human behavior.

    No ratings yet
    Sign in to rate