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    Tragedy

    Alfieri's 'There Are Times When You Want to Spread an Alarm' Monologue

    from A View From the Bridge

    Tony WinnerOlivier Winner

    Written by Arthur Miller

    Alfieri's 'There Are Times When You Want to Spread an Alarm' Monologue from A View From the Bridge — audition scene

    1 min · 1 character · Any gender · 45-55

    Alfieri reflects on his inability to prevent a looming tragedy, describing the sense of powerlessness he felt while watching a client's downfall.

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    ALFIERI

    There are times when you want to spread an alarm, but nothing has happened. I knew, I knew then and there—I could have finished the whole story that afternoon. It wasn’t as though there was a mystery to unravel. I could see every step coming, step after step, like a dark figure walking down a hall toward a certain door. I knew where he was heading…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    In Arthur Miller's modern-classic tragedy A View From the Bridge, the lawyer Alfieri operates as both an active participant and a choric observer of the community. In this compact one-minute monologue, Alfieri reflects on the agonizing experience of foreseeing a client's inevitable downfall without possessing the legal or practical power to halt it. Speaking directly about the burden of fatalistic foresight, the lawyer recalls consulting a wise elder in the neighborhood only to be told that prayer was the only recourse. The moment captures the deep philosophical tension between human intellect and the unyielding march of tragedy.

    Character Analysis

    Alfieri is an intelligent, articulate authority figure who bridges the formal structure of civil law and the ancient, unspoken codes of the neighborhood. Though sophisticated, rational, and respected, Alfieri carries the exhausting emotional weight of helpless awareness. The character represents an observant mind caught between duty and fate, struggling to reconcile how an educated professional can be rendered entirely powerless. An actor must embody both institutional composure and a heavy undercurrent of personal grief.

    Why This Works for Auditions

    At approximately sixty seconds in length, this monologue delivers a gripping narrative arc within a concise, audition-ready timeframe. Rather than relying on explosive physical action or high-volume conflict, the piece demands interiority, stillness, and clear narrative storytelling. Audition panels can readily evaluate a performer's vocal control, pacing, and ability to hold space with quiet authority. It serves as a strong modern-classic showcase piece from a Tony-winning and Olivier-winning text that demonstrates intellectual depth and emotional restraint.

    Best Suited For

    This selection is ideal for mature actors and character performers, particularly those playing in the 45-55 age range who fit sophisticated, dramatic, or authoritative casting types. Open to performers of any gender, it is particularly effective for drama school auditions, agent showcases, and general dramatic practice. Actors looking to present an intellectual, reflective persona with underlying gravitas will find this text exceptionally rewarding.

    Performance Tips

    Resist the urge to overplay the tragedy from the opening beat, as Alfieri's impact stems from calm, retrospective clarity rather than sudden panic. Use specific eye-lines to let the listener see the metaphorical hallway and the looming catastrophe through your perspective. Ground your physical posture to convey professional dignity, allowing the frustration of being an educated person paralyzed by fate to simmer beneath the surface. Pay careful attention to Miller's deliberate rhythmic phrasing, honoring the natural pauses where the silence speaks louder than spoken words.

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