Believe Women

Written by E.T. Feigenbaum, this contemporary thriller monologue from the film Blink Twice captures a moment of unraveling panic and stark clarity. Frida sarcastically walks through the futility of contacting law enforcement about Slater King, a wealthy billionaire using memory-erasing perfume on his guests. Spanning approximately one minute, the scene explores themes of gaslighting, conspiracy, and trauma beneath a shield of dark humor.

Frida is an observant working-class outsider in her twenties who suddenly finds herself trapped in a world of extreme wealth and insidious control. She is fiercely intelligent, vulnerable, and completely aware of the social power dynamics stacked against her. While her defense mechanism is biting sarcasm, beneath the cynicism lies a terrified young woman processing acute trauma and systemic gaslighting.

Running at a concise one minute, this selection provides a dynamic audition piece that honors modern pacing and high narrative stakes. It allows actors to showcase multidimensional range, shifting seamlessly from rapid-fire, dark satire to genuine terror. Casting directors can immediately evaluate an actor's command of rhythm, vocal flexibility during multi-character dialogue impersonations, and emotional depth under psychological pressure.

This contemporary monologue is best suited for female actors playing ages 18 to 25 who align with intense, leading lady, or outsider casting types. It serves as a strong piece for self-tapes, agent showcases, and general practice sessions. Performers preparing for modern psychological thrillers or grounded indie dramas will find it especially effective for showing strength mixed with vulnerability.

Anchor the fast-paced comedy in real, terrifying stakes so Frida does not come across merely as a stand-up comic. Use specific vocal textures and energetic shifts when Frida mimics the various voices in her hypothetical phone call, but keep the core grounded in her panic. Resist rushing through the transitions between frantic humor and isolation. Crucially, let the final deflation register as a complete physical and emotional release as Frida absorbs the hopelessness of her truth.