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    duologue
    Drama

    Bernard Tells Salter About Shouting in the Dark

    from A Number

    Written by Caryl Churchill

    2 min · 2 characters · Any gender · 25-35

    A son confronts his father about his traumatic childhood and the discovery that he is one of many clones created from 'raw materials'.

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    BERNARD 1

    I’ve not been lucky with dogs. I had this black and tan bitch wouldn’t do what it’s told, useless. Before that I had a lurcher they need to much running about. Then a friend of mine went inside could I look after, battle from day one with that dog, Rottweiler pit bull I had to throw a chair, you could hit it with a belt it kept coming back.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This intense contemporary duologue from Caryl Churchill's play A Number captures a fractured confrontation between a father and his estranged son. Following the shocking revelation of his origins, Bernard (B1) confronts Salter about the neglect, violence, and profound trauma that defined his early upbringing. Salter attempts to deflect responsibility and manage his son's volatility, but the exchange spirals into a deeply unsettled exploration of parental guilt, cloning, and personal identity.

    Character Analysis

    Bernard 1 is an aggressive, deeply wounded outsider whose erratic speech masks profound pain and fear. Having endured neglect, abandonment, and systemic trauma, his outward menace conceals a desperate need for recognition from the parent who discarded him. Salter represents a faltering patriarch clinging to rationalizations and self-exonerating excuses. While attempting to project calm control, Salter is thoroughly unsettled by the damaged adult standing before him, shifting rapidly between defensive appeasement and clumsy attempts to justify his past choices.

    Why This Works for Auditions

    Clocking in at approximately two minutes, this high-stakes exchange provides dynamic acting opportunities for both performers. Caryl Churchill's signature overlapping dialogue and sparse punctuation demand exceptional vocal precision, rhythmic awareness, and active listening. Audition panels and casting directors will immediately see an actor's ability to navigate complex subtext, handle psychological intensity, and sustain grounded tension without falling into one-note melodrama.

    Best Suited For

    This scene is an outstanding choice for drama school auditions, agent showcases, self-tapes, and general classroom practice requiring sharp contemporary drama. It is particularly effective for performers working within the twenty-five to thirty-five age bracket who want to explore nuanced, non-traditional family dynamics. Actors looking to demonstrate outsider, rebel, antagonist, or morally compromised patriarch casting types will find rich, challenging material across both roles.

    Performance Tips

    Focus on the distinct cadence of Churchill's writing, allowing the sudden tempo shifts and pregnant silences to carry the underlying psychological weight. For the actor portraying Bernard, resist playing purely explosive anger; lean into the childish vulnerability and domestic longing hidden beneath the threats and erratic tangents. The actor playing Salter must avoid playing detached indifference, as the conflict becomes far more compelling when the father's genuine fear and residual guilt constantly leak through his attempts at deflection.

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