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    duologue
    Comedy-Drama

    Bertram and Helena: A Hasty Farewell

    from All's Well That Ends Well

    Written by William Shakespeare

    Bertram and Helena: A Hasty Farewell from All's Well That Ends Well — audition scene

    Bertram dismisses his new wife, Helena, sending her back to his mother while he prepares to flee to the wars in Italy to avoid their unconsummated marriage. Helena humbly asks for a parting kiss, which Bertram coldly denies.

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    Scene PreviewExcerpt — subscribe to read full scene

    HELENA

    I am not worthy of the wealth I owe,

    Nor dare I say 'tis mine, and yet it is;

    But, like a timorous thief, most fain would steal

    What law does vouch mine own.

    BERTRAM

    What would you have?

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    This classical duologue from William Shakespeare's comedy-drama captures a tense farewell between newly married partners. Bertram dismisses Helena, commanding her to return to his mother while he makes preparations to flee to war in Italy rather than consummate their union. Facing profound rejection, Helena humbly asks for a parting kiss, only to be coldly denied and sent away.

    Character Analysis

    Bertram embodies an evasive, reluctant youth desperate to escape an unwanted marriage and assert his independence on the battlefield. His polite phrasing thinly veils an impatient dismissal as he hurries Helena away to mask his planned flight. Helena presents an image of devoted obedience, struggling to navigate the painful divide between her formal duty as a wife and the reality of her husband's disdain. Beneath her humble, hesitant appeals lies an aching yearning for affection, contrasting sharply with Bertram's icy detachment.

    Why This Works for Auditions

    Running approximately two minutes, this exchange offers two performers rich dramatic material grounded in heightened classical text. It showcases an intense subtextual battle defined by unrequited love, duty, and sudden emotional withdrawal. Audition panels can readily evaluate an actor's facility with Shakespearean language alongside their ability to convey complex psychological tension and vulnerability without slipping into melodrama.

    Best Suited For

    This scene is an exceptional choice for drama school auditions, classical acting competitions, and general scene study. It caters directly to performers within the eighteen to twenty-five age bracket who fit leading man, ingenue, or young adult casting types. The material provides both roles with distinct objectives, contrasting energies, and high emotional stakes surrounding departure and rejection.

    Performance Tips

    Keep the interaction grounded in physical urgency rather than leaning into static sorrow. The actor portraying Bertram should prioritize his character's frantic drive to depart, letting the dismissal stem from impatience and panic rather than simple spite. The performer playing Helena must honor her quiet dignity, allowing her request for affection to emerge from honest vulnerability rather than self-pity. Pay close attention to the rhythm of the text, using the swift transitions and pauses to fuel the growing emotional chasm between both characters.

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