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Big Butt Girls, Hard Headed Women — Regina's Monologue

from Big Butt Girls, Hard Headed Women

Written by Rhodessa Jones

Regina, an incarcerated African American woman, asserts her independence and toughness. She reflects on her life as a sex worker, her refusal to be controlled by men like Tyrone, and her unapologetic survival instincts.

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REGINA

Fuck a bitch. Hit me! Bigger and better bitches than you have hit me. Just because I let you smell my pussy, don't make it your pussy. It's still my pussy. Everybody and anybody will use you so you best get to using first. I learned early, a man or a woman ain't nothing but a plaything.

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Scene Notes & Audition Tips

5 sections
About This Scene

This powerful monologue features Regina, an incarcerated African American woman, as she vehemently asserts her independence and unyielding spirit. It delves into her life experiences as a sex worker and her staunch refusal to be dominated by anyone, particularly men like Tyrone. Regina lays bare her unapologetic survival instincts, painting a vivid picture of a woman who has learned to navigate a harsh world by her own rules and on her own terms.

Character Analysis

Regina is a force of nature—a character defined by her toughness, grit, and unwavering self-reliance. Her past as a sex worker has instilled in her a profound understanding of human nature and a cynical view of relationships, leading her to believe that everyone is ultimately out to use others. She embodies the "anti-hero" archetype, challenging conventional morality with her confrontational honesty and her belief in proactive self-preservation. This monologue reveals a woman who has forged her own path and refuses to be controlled or diminished by external forces, demonstrating immense internal strength and resilience.

Why This Works for Auditions

This monologue is a fantastic choice for auditions due to its raw emotional power and unequivocal character voice. It offers an actor a compelling opportunity to showcase a wide range of intense emotions and a commanding presence. The language is visceral and direct, allowing for a performance that is both grounded and fiercely dynamic, making it very memorable for casting directors who are looking for standout performances.

Best Suited For

This material is perfectly suited for actresses in the 25-35 age range who are looking to embody a "Leading Lady" with an "Anti-Hero" edge, or roles that require a "Tough," "Gritty," or "Rebel" casting type. It's particularly effective for drama school auditions, agent showcases, and self-tapes where the goal is to demonstrate significant dramatic depth and an ability to command attention. The themes of survival, independence, and confronting adversity resonate strongly with contemporary dramatic narratives.

Performance Tips

When approaching Regina's monologue, focus on rooting her assertive language in a deep sense of self-preservation and past experiences. Emphasize her unwavering independence and the underlying defiance that fuels her words, avoiding any hint of victimhood. Explore the rhythm and intensity of her dialogue, allowing her confrontational nature to come through without becoming merely aggressive; instead, find the potent conviction in her worldview. The key is to portray Regina's resilience and her absolute refusal to be defined or controlled by anyone but herself.

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