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monologue
Drama

Bolingbroke Claims His Inheritance

from Richard II

Written by William Shakespeare

Bolingbroke Claims His Inheritance from Richard II — audition scene

Henry Bolingbroke returns from exile to confront his uncle, the Duke of York, arguing that he has come to reclaim his rightful inheritance as the Duke of Lancaster after the King seized his father's lands.

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HENRY BOLINGBROKE

As I was banish'd, I was banish'd Hereford;

But as I come, I come for Lancaster.

And, noble uncle, I beseech your grace

Look on my wrongs with an indifferent eye:

You are my father, for methinks in you

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Scene Notes & Audition Tips

5 sections
About This Scene

In this powerful dramatic classical monologue from William Shakespeare's Richard II, Henry Bolingbroke returns from exile to confront his uncle, the Duke of York. Bolingbroke addresses the deep injustice of having his rightful lands and title seized by the King after the death of his father. He presents a passionate case that he is not returning as an outlaw, but rather to claim his lawful inheritance as the Duke of Lancaster.

Character Analysis

Henry Bolingbroke is a resolute, dignified nobleman who blends innate royal authority with genuine personal grievance. Dispossessed of his rightful lands, he operates simultaneously as a dutiful subject challenging the law and a defiant rebel resisting total ruin. He relies on strategic restraint and deep family loyalty, invoking his uncle's bond with his deceased father to mount an emotionally urgent plea for justice.

Why This Works for Auditions

This piece works exceptionally well for auditions because it demands sharp rhetorical skill alongside intense emotional gravity. Rather than falling into unchecked rage, the monologue requires an actor to balance rigorous logic, filial respect, and simmering outrage within classical verse. Audition panels get a clear view of your command of heightened language, your vocal stamina, and your ability to portray a formidable presence under pressure.

Best Suited For

This speech is exceptionally well suited for male actors in the twenty-five to thirty-five age range seeking a substantial classical monologue. It is tailor-made for performers who fit leading man, authority figure, or principled rebel casting types. The piece serves as an excellent vehicle for drama school auditions, classical competitions, and rigorous general practice.

Performance Tips

Resist the temptation to play the piece with uniform hostility or bluster. Keep the focus firmly on the Duke of York, using personal family connections and direct rhetorical questions to convince him to take your side. Allow the verse structure to drive your breath and pace, letting the mounting sense of betrayal build toward a decisive final declaration of purpose.

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