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    Bottle Service

    from Home Economics

    Written by Michael Colton, John Aboud

    Home Economics

    During a night out at a club, Sarah and Denise find themselves caught between their desire to feel young and the harsh reality of hanging out with a chaotic polyamorous couple. Meanwhile, Marina obsessively navigates a passive-aggressive text war with a rival mom.

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    Scene PreviewExcerpt — subscribe to read full scene

    MARINA

    Well, if you want to know, I’m locked in a text power struggle with another mom at my kid’s school. And I can’t stop til I win. Because even though Kirsten -- and she will remind you it’s Kirsten, not Kristen -- is middle-aged and wears pigtails, her superhuman powers of passive-aggression make me feel like a failure.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Michael Colton and John Aboud for the comedy television series Home Economics, this contemporary group scene captures the friction between domestic adulthood and youthful nightlife. While trying to enjoy an evening at a club, Sarah and Denise find themselves navigating an awkward social clash with a chaotic, non-traditional couple. Simultaneously, Marina brings schoolyard politics onto the dance floor as she obsesses over a passive-aggressive text exchange with a rival parent.

    Character Analysis

    Sarah and Denise represent settled domesticity, trying hard to prove they still have a social edge while realizing how deeply routine their lives have become. Marina is consumed by competitive panic, treating a minor parenting disagreement like tactical warfare and desperately seeking allies to validate her witty comebacks. Mel and Jenna serve as the breezy, modern contrast, navigating their relationship without conventional labels and inadvertently exposing the older pair's deep-seated domestic anxieties.

    Why This Works for Auditions

    This scene provides exceptional multi-character banter that highlights fast-paced comedic rhythm and strong conversational chemistry. Rather than relying on physical gags, the humor derives from genuine insecurity, social comparison, and shifting status dynamics. It allows actors to demonstrate relatable neuroses while showcasing sharp timing, natural listening skills, and the ability to play grounded comedic subtext within an ensemble.

    Best Suited For

    Performers in the 25-35 age range will find this scene ideal for self-tapes, agent showcases, and collaborative scene study. It offers prime audition material for actors targeting Comic Relief, Best Friend, Quirky, or Parent casting types who want to display their mastery of sharp, contemporary sitcom dialogue.

    Performance Tips

    Resist the temptation to play the jokes broadly, committing instead to the characters' desperate emotional stakes. For Marina, the text battle should feel like a matter of survival, so play every message draft with absolute tactical seriousness. For Sarah and Denise, ground your reactions in the awkward realization that you are no longer the trendsetters in the room. Keep the vocal energy alive without shouting over the club atmosphere, ensuring that the comedic timing remains crisp, responsive, and grounded.

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