Tv
duologue
Comedy-Drama
Thriller

Breaking and Entering

from Only Murders in the Building

Written by Steve Martin, John Hoffman

Only Murders in the Building

While breaking into an apartment to investigate a mystery, Charles and Mabel share personal stories about their pasts and why they choose to be alone. Charles reveals the trauma of his father's behavior, while Mabel hints at a childhood group of friends that fell apart.

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Scene PreviewExcerpt — subscribe to read full scene

MABEL

We’re good. How long have you lived here?

CHARLES

Twenty-eight years.

MABEL

But not always by yourself.

MABEL

You’ve been alone for 28 years?!

CHARLES

Shh! I... like alone. Alone isn’t so bad.

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Scene Notes & Audition Tips

5 sections
About This Scene

This compelling duologue from the Emmy-winning series *Only Murders in the Building* finds Mabel and Charles in a tense yet intimate moment, literally breaking into an apartment. Amidst the high-stakes backdrop of an investigation, the scene subtly pivots to reveal profound personal vulnerabilities. It’s a beautifully crafted piece that explores why two seemingly disparate individuals might choose solitude, offering a poignant look at inherited trauma and past friendships. The unexpected intimacy forged through shared secrets makes this scene particularly captivating.

Character Analysis

Charles, a man whose external gruffness masks deep-seated pain, unpacks a lifetime of association with a difficult father. His revelation stems from a desire to justify his chosen isolation, providing insight into his fear of perpetuating a toxic legacy. Mabel, initially more guarded, subtly counters with her own history of forming close bonds that ultimately dissolved, hinting at a different kind of loneliness. Both characters, despite their age difference, share a common thread of guarding themselves from potential hurt, making their individual revelations feel earned and deeply relatable.

Why This Works for Auditions

This scene offers a fantastic opportunity for actors to showcase nuanced vulnerability and complex emotional journeys within a short timeframe. The shifting dynamics between Charles and Mabel, from initial banter to profound confession, demonstrate excellent range. Actors can highlight their ability to portray internal conflict, communicate unspoken history, and build genuine connection under pressure. The contemporary setting and relatable themes of family trauma and the pursuit of connection make it highly accessible and impactful for a casting director.

Best Suited For

This duologue is ideal for actors seeking material for agent showcases, self-tapes, and general practice, particularly those in the 25-35 age range looking to portray characters with depth and a blend of comedic timing and dramatic gravitas. It's especially effective for actors who can embody a "Leading Man" or "Leading Lady" quality while also leaning into "Quirky" or "Outsider" casting types. The scene's blend of genuine human emotion and light mystery makes it versatile for a variety of contemporary projects.

Performance Tips

Focus on the underlying tension and the slow build of trust between Charles and Mabel. For Charles, ground his revelations in a quiet, almost reluctant honesty, showing the weight of his past without overplaying it. His justification for solitude should feel deeply personal and hard-won. For Mabel, explore her initial skepticism and how Charles's honesty allows her to drop her own guard, hinting at her "Hardy Boys" past with a mix of nostalgia and subtle regret. Pay close attention to the subtext, allowing moments of silence and reaction to convey as much as the dialogue itself.

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