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duologue
Comedy-Drama
Thriller

Breaking and Entering

from Only Murders in the Building

Written by Steve Martin, John Hoffman

Only Murders in the Building

While breaking into an apartment to investigate a mystery, Charles and Mabel share personal stories about their pasts and why they choose to be alone. Charles reveals the trauma of his father's behavior, while Mabel hints at a childhood group of friends that fell apart.

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Scene PreviewExcerpt — subscribe to read full scene

MABEL

We’re good. How long have you lived here?

CHARLES

Twenty-eight years.

MABEL

But not always by yourself.

MABEL

You’ve been alone for 28 years?!

CHARLES

Shh! I... like alone. Alone isn’t so bad.

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Scene Notes & Audition Tips

5 sections
About This Scene

This compelling duologue from the Emmy-winning series *Only Murders in the Building* offers a unique blend of comedy and drama, presenting a pivotal moment of vulnerability between two unlikely companions. Set during an investigation, the scene finds Mabel and Charles in an intimate conversation as they break into an apartment, leading to profound revelations about their personal histories. It delves into their individual reasons for choosing solitude, exploring themes of generational impact and past relationships.

Character Analysis

Charles, a sophisticated yet deeply scarred man, unveils the lingering trauma of his father's abusive behavior and how it shaped his understanding of companionship and self-worth. His vulnerability stems from a desire to escape the perceived flaws inherited from his parent, leading him to embrace an isolated existence. Mabel, in contrast, hints at a past group of childhood friends that dissolved, suggesting a different, perhaps more recent, experience with loneliness and disillusionment that has led her to her current solitary state. Both characters reveal layers of emotional complexity beneath their outward composure.

Why This Works for Auditions

This scene is exceptional for auditions because it showcases an actor's ability to navigate nuanced emotional shifts within a seemingly simple interaction. The comedic timing inherent in the show's style, coupled with the profound dramatic undertones of personal revelation, allows performers to demonstrate versatility. It provides ample opportunity for actors to build dynamic relationships and explore themes of trust, guardedness, and the surprising connections that can form between strangers. The dialogue is authentic and rich, enabling powerful character work.

Best Suited For

This duologue is perfectly suited for actors in the 25-35 age range, particularly those looking to portray a "Leading Man," "Leading Lady," "Outsider," "Quirky," or "Everyman" casting type. Its contemporary setting and "comedy-drama" genre make it ideal for performers aiming for television roles that require both emotional depth and a strong sense of comedic timing. It's an excellent choice for agent-showcase and self-tape submissions, allowing actors to display vulnerability and strong scene partnership.

Performance Tips

When approaching this scene, focus on the subtext of each character's confession. For Charles, the internal struggle between his inherited traits and his chosen path of solitude should inform his entire performance, even in moments of light humor. For Mabel, consider the underlying pain of her past friendships and how it influences her guarded yet curious demeanor. Embrace the subtle shifts between vulnerability and the characters' efforts to maintain composure, letting the humor emerge naturally from their specific situations and personalities.

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