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monologue
Drama

Break's Over

from The West Wing

Written by Aaron Sorkin

The West Wing

President Bartlet uses a story about a miracle tomato to refocus his staff, contrasting a lighthearted anecdote with the gravity of Cuban refugees.

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BARTLET

Seems to me we've all been taking a little break. Thinking about our personal lives or thinking about keeping our jobs. Nothing wrong with taking a break, breaks are good, and I know how hard you all work. You know, I was thinkin' about this time Annie came to me with a news clipping. Theologians in South America were very excited because a little…

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Scene Notes & Audition Tips

5 sections
About This Scene

This powerful monologue from *The West Wing* showcases President Bartlet shifting from lighthearted anecdote to profound gravitas. Bartlet initially shares a charming story about a "miracle tomato" to grab his staff's attention, subtly chiding them for being distracted. This seemingly irrelevant narrative quickly pivots as he reveals urgent news concerning Cuban refugees, immediately highlighting the immense responsibility and high stakes of their work. The scene masterfully contrasts a domestic observation with a global humanitarian crisis, reminding everyone of the weighty decisions made in the Oval Office.

Character Analysis

Bartlet is presented here as an authoritative yet deeply human leader. He possesses a sharp intellect, demonstrated by his use of a layered anecdote to make a larger point. His tone transitions from paternal and slightly chiding to intensely serious and inspiring, revealing a man who expects the best from his team but understands their pressures. He embodies the "Authority Figure" and "Patriarch" casting types, capable of commanding a room and guiding others with both wisdom and conviction. This monologue reveals his ability to cut through noise and refocus on what truly matters, demonstrating leadership under pressure.

Why This Works for Auditions

This monologue is exceptional for auditions because it offers a wide emotional and tonal range within a compact timeframe. Actors can demonstrate nuanced control, transitioning from conversational charm to impactful gravitas. The shift from the "miracle tomato" story to the refugee crisis provides a clear, demonstrable arc, allowing performers to showcase versatility and the ability to handle complex emotional shifts. It's a prime example of Aaron Sorkin's signature fast-paced, intelligent dialogue, requiring quick thinking and a strong sense of purpose, making it ideal for actors aiming to impress with their command of language and character.

Best Suited For

This monologue is perfectly suited for male actors aged 55-65, aligning with Bartlet's character age. It is an excellent choice for a drama school audition, an agent showcase, or a self-tape submission where the actor needs to convey intelligence, authority, and emotional depth. Actors cast as "Authority Figure," "Leading Man," or "Patriarch" will find this piece particularly effective. Its themes of leadership, politics, and humanitarian concern also make it fitting for general practice, allowing actors to hone their ability to portray influential and impactful figures.

Performance Tips

Approach the opening "tomato" story with a deliberate, almost conspiratorial charm, drawing your audience in before the shift. Pay close attention to the rhythm and cadence of the dialogue, allowing Sorkin's writing to guide your pacing. The transition to the refugee news should be stark and impactful; let the gravity of the statistics land with genuine weight, showing the contrast between the two narratives. Conclude with Bartlet's firm, yet understanding "Break's over" and the final, softer admonishment, revealing his underlying care for his staff. Focus on internalizing Bartlet's conviction and his powerful sense of moral duty.

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