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    Drama

    Can He Hear Me?

    from Succession

    Written by Jesse Armstrong

    Succession

    Kendall and Roman attempt to say their final goodbyes to their dying father over the phone, struggling with their complex emotions and resentment.

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    Scene PreviewExcerpt — subscribe to read full scene

    TOM

    Okay, you’re by his ear. You’re by his ear now.

    ROMAN

    Can he hear, is he okay? Is he okay?

    TOM

    He’s not okay Rome, he’s not. But you’re by his ear.

    TOM

    You’re by his ear.

    KENDALL

    Can he hear? Can he hear?

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Jesse Armstrong, this intense contemporary drama from the award-winning television series Succession captures an agonizing moment of impending loss. Kendall and Roman navigate a frantic, fragmented phone call coordinated by Tom, attempting to articulate their final goodbyes to their dying father. Struggling with years of estrangement, grief, and unresolved family conflict, the brothers are confronted with the raw shock of mortality through a distant receiver.

    Character Analysis

    Kendall and Roman represent wealthy, upper-class brothers suddenly stripped of their defensive armor by unexpected tragedy. Roman oscillates rapidly between fierce denial, filial devotion, and paralyzing panic as he struggles to find any coherent words for a man who dominated his life. Kendall contends with a profound internal fracture, balancing deep-seated resentment against genuine affection while seeking closure that may never arrive.

    Why This Works for Auditions

    This material provides an extraordinary showcase for actors eager to demonstrate complex, contradictory emotions in a compressed two-minute frame. Because the scene revolves around an imperfect phone connection, it demands exceptional active listening and sharp, unvarnished reactions to an absent figure. Casting directors can immediately gauge an actor’s ability to ground intense grief and anti-hero vulnerability in truthful human behavior without sliding into melodramatic display.

    Best Suited For

    This scene is ideally suited for male performers in the thirty-five to forty-five age bracket auditioning for leading man or complex anti-hero roles. It works remarkably well for self-tapes, agent showcases, and general dramatic practice where nuanced, high-stakes emotional command must be demonstrated quickly.

    Performance Tips

    Avoid the trap of playing the outcome or leaning into generalized sorrow from the very beginning. Ground your performance in the physical awkwardness of holding the telephone and the painful uncertainty of whether your voice is actually being heard. Let the conflicting layers of love, anger, and helplessness collide naturally, allowing sudden pauses and broken thoughts to reveal the full weight of the trauma.

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