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    Tragedy

    Cleopatra: O Charmian

    from Antony and Cleopatra

    Written by William Shakespeare

    Cleopatra pines for Mark Antony while he is away in Rome, reflecting on her past lovers and her current obsession with the Roman general.

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    CLEOPATRA

    O happy horse, to bear the weight of Antony!

    Do bravely, horse! for wot'st thou whom thou movest?

    The demi-Atlas of this earth, the arm

    And burgonet of men. He's speaking now,

    Or murmuring 'Where's my serpent of old Nile?'

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    From William Shakespeare’s classical tragedy *Antony and Cleopatra*, this evocative monologue captures the Egyptian queen speaking to her attendant, Charmian. While Mark Antony is away in Rome, Cleopatra wrestles with distance and romantic obsession, imagining his movements and reflecting on her previous affairs with great rulers. Spanning roughly one and a half minutes, the piece highlights a striking blend of vulnerability, sensual reminiscence, and royal passion.

    Character Analysis

    Cleopatra presents a compelling portrait of high-status authority blended with intense personal longing. Though she remains a sovereign who previously captivated powerful rulers like Caesar and Pompey, her devotion to Antony strips away her regal armor. She is self-aware, deeply passionate, and unapologetic about her desires, revealing an inner life that is both commanding and tenderly exposed.

    Why This Works for Auditions

    Classical audition monologues for women frequently focus on grief, despair, or moral outrage, making this passionate and intimate reverie stand out. The speech gives actors ample room to demonstrate verse dexterity, breath control, and the handling of heightened classical language while maintaining authentic emotional stakes. Casting directors will see an actor capable of shifting effortlessly between playful vanity and aching vulnerability.

    Best Suited For

    This speech is ideally suited for female actors aged twenty-five to thirty-five who fit sophisticated, intense, or leading lady casting profiles. It is an exceptional classical choice for drama school auditions, general monologue practice, and classical performance competitions. Performers looking to demonstrate commanding presence alongside emotional nuance will benefit greatly from working on this text.

    Performance Tips

    Keep your listener present in the space rather than delivering the speech as an isolated internal thought. Ground your delivery in clear, active mental pictures of Antony so each thought builds naturally toward the next beat. Embrace the sharp tonal shifts between her proud recollections of past lovers and her immediate yearning, allowing the rhythm of the verse to support your emotional shifts.

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