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    Film
    duologue
    Drama

    Cliff Brumby Offers Jack His Condolences

    from Get Carter

    Written by David McKenna

    Get Carter

    2 min · 2 characters · Any gender · 35-45

    Jack Carter questions his late brother's employer, Brumby, about the restaurant's operations and security while investigating Frank's death.

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    Scene PreviewExcerpt — subscribe to read full scene

    BRUMBY

    I didn’t know who the hell you were, Jack, I’m sorry. My goddamn wife had to tell me.

    JACK

    How were you supposed to know?

    BRUMBY

    You’re his brother. I should’ve went out of my way to find out. Have a seat. I want to express my deepest sympathies, Jack. Frank was a great employee and an even better friend.

    JACK

    That’s good to know. Thank…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by David McKenna for the film *Get Carter*, this contemporary dramatic duologue captures an intense, layered conversation between Jack Carter and Cliff Brumby. Following the death of his brother Frank, Jack visits Frank's employer under the guise of an ordinary family condolence visit, secretly using the interaction to investigate the circumstances surrounding Frank's passing. What begins as an exchange of personal sympathies quickly tightens into a tactical probe as Jack shifts the focus toward the restaurant's daily operations and security measures.

    Character Analysis

    Jack is a guarded, tough anti-hero navigating unresolved grief and estrangement while executing an undercover investigation. He keeps his emotions tightly coiled, maintaining polite decorum while strategically fishing for inconsistencies in Brumby's story. Brumby embodies an approachable business executive type, projecting working-class warmth and genuine sadness over losing an employee and friend. Beneath his friendly demeanor and casual banter, however, Brumby remains a shrewd operator who notices Jack's unusual curiosity and measures his own responses accordingly.

    Why This Works for Auditions

    This two-minute scene is an exceptional vehicle for actors because the true drama lives almost entirely within the subtext. Both performers must play against the surface text, balancing conversational pleasantries with mutual wariness and unspoken tension. Casting directors can immediately assess an actor's ability to listen actively, hold stillness, and land subtle micro-shifts in objective without relying on overt physical conflict or dramatic outbursts.

    Best Suited For

    The piece is tailored for actors aged thirty-five to forty-five who fit tough, working-class, anti-hero, or executive casting categories. It is particularly well matched for on-camera self-tapes, agent showcases, and advanced scene study classes that focus on contemporary crime drama and psychological duologues.

    Performance Tips

    Focus on the rhythm of conversational pivots rather than playing the underlying suspicion too early. The actor playing Jack should let the polite grief feel convincing, allowing each operational question to land as a calculated test of Brumby's comfort level. For Brumby, emphasize the contrast between genuine emotional warmth and casual professional deflection, ensuring the uncomfortable silences carry weight without disrupting the natural cadence of the encounter.

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