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    Cookie Visits Chloe and the New Baby

    from ER

    Written by Lydia Woodward

    ER

    In a hospital room, Lewis and his mother Cookie visit Chloe and her newborn, leading to tense family bickering over the baby's absent father.

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    Scene PreviewExcerpt — subscribe to read full scene

    CHLOE

    Hey, Cookie, get in here.

    re: the baby

    Ouch...

    COOKIE

    Look at this little thing.

    CHLOE

    Pretty neat, huh?

    COOKIE

    Oh, my, yes. Almost makes me glad you got yourself knocked up.

    LEWIS

    Mom...

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Set in a hospital recovery room shortly after childbirth, this contemporary dramatic scene from ER, written by Lydia Woodward, captures an intimate family reunion brimming with unresolved tension. As Lewis and his mother, Cookie, arrive with gifts and provisions to see Chloe and her newborn infant, the atmosphere rapidly alternates between domestic banter, maternal critique, and defensive sibling posturing. When Chloe drops an unexpected revelation regarding the child's absent father, the lively room grinds to an abrupt and loaded halt.

    Character Analysis

    Chloe is irreverent, weary, and playfully defiant, using humor and physical distraction to mask the profound vulnerability of new motherhood. Cookie embodies a domineering matriarchal presence whose genuine affection is frequently undercut by backhanded compliments, unsolicited advice, and long-held family grievances. Lewis operates as the weary, grounded mediator, constantly monitoring the room to keep his mother from overstepping and to prevent his sister from escalating old arguments.

    Why This Works for Auditions

    This scene serves as an excellent showcase for multi-track listening, rapid dialogue handoffs, and rich subtext within a small ensemble. The writing seamlessly balances working-class domestic comedy with sudden shifts into serious dramatic tension, testing an actor's ability to pivot emotional gears instantly. Casting directors can clearly evaluate how well performers inhabit lived-in domestic relationships while managing continuous stage business alongside spoken dialogue.

    Best Suited For

    The piece is ideally suited for three-person scene study classes, group self-tapes, and agent showcases highlighting contemporary television drama. It provides strong, contrasting material for performers aligning with Working Class, Matriarch, Everyman, Outsider, and Leading Man casting profiles within the 25 to 35 playing range.

    Performance Tips

    Keep the physical reality of the hospital room active and specific, anchoring emotional beats in simple actions like sorting gifts or handling food. Rather than treating the family bickering as surface-level hostility, let each pointed comment reflect years of shared history and ingrained defensive habits. When the final announcement is made, resist the urge to overplay the shock; let the abrupt shift in rhythm speak for itself through sudden stillness and shared eye contact.

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