Film
duologue
Drama

Dating a Stairmaster

from The Social Network

Written by Aaron Sorkin

The Social Network

During a tense date at a crowded bar, Erica attempts to break up with Mark after he repeatedly insults her intelligence and social standing. Mark, oblivious to his own condescension, tries to rationalize his behavior while Erica delivers a final, scathing assessment of his character.

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Scene PreviewExcerpt — subscribe to read full scene

ERICA

Okay, well I want to try and be straight forward with you and let you know that we’re not anymore.

MARK

What do you mean?

ERICA

We’re not dating anymore, I’m sorry.

MARK

Is this a joke?

ERICA

No, it’s not.

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Scene Notes & Audition Tips

5 sections
About This Scene

This intense duologue from Aaron Sorkin's "The Social Network" presents a pivotal moment in the relationship between Mark and Erica. Set in a crowded bar, the scene captures the raw, unfiltered emotional fallout as Erica attempts to end their relationship, driven by Mark's dismissive and arrogant behavior. It's a sharp, quick-witted exchange that escalates rapidly, showcasing both characters' intelligence and their fundamental incompatibility.

Character Analysis

Erica is presented as a strong, intelligent individual pushed to her breaking point. She initially tries to be direct and kind, but Mark's condescension and lack of empathy force her to become increasingly sharp and cutting. Mark, conversely, is portrayed as intellectually brilliant but socially inept and arrogant, genuinely perplexed by Erica's anger and seemingly oblivious to the impact of his words. He attempts to rationalize, apologize insincerely, and manipulate, revealing a deep-seated self-centeredness and a struggle with emotional intelligence.

Why This Works for Auditions

This scene is an excellent choice for auditions due to its dynamic nature and immediate conflict. It provides actors with rich material to explore high-stakes emotion, quick verbal sparring, and complex character motivations within a tight timeframe. The rapid-fire dialogue, characteristic of Aaron Sorkin's writing, demands precision, vocal dexterity, and strong reactive acting, making it a compelling showcase for an actor's range and intensity. It also allows for clear emotional arcs for both characters, despite its brevity.

Best Suited For

This scene is particularly well-suited for actors aged 18-25 who embody casting types such as Anti-Hero, Nerd, Young Professional, or Intense individuals. It's ideal for drama school auditions, agent showcases, or self-tapes where demonstrating intellectual arrogance, quick wit, and a strong sense of personal boundaries (for Erica) or social obliviousness (for Mark) is key. The contemporary period and themes of social status and college life make it relatable and current for many casting directors.

Performance Tips

For Erica, focus on the arc from controlled hurt to fiery exasperation, ensuring your escalating frustration feels earned and authentic. Pay attention to the subtle shifts in her composure as Mark continues to misinterpret and dismiss her. For Mark, lean into his intellectual arrogance and genuine confusion, playing his attempts to rationalize as logical to him, even if they are offensive to Erica. Both actors should prioritize listening and reacting, allowing the rapid-fire dialogue to build tension organically and emphasize the intellectual mismatch at the heart of their conflict.

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