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    Film
    duologue
    Comedy-Drama

    Done With Fish

    from Adaptation

    Oscar WinnerBAFTA WinnerGolden Globe

    Written by Charlie Kaufman & Donald Kaufman & Susan Orlean

    Adaptation

    1 min 30 sec – 2 min · 2 characters · Any gender · 35-45 (also 25-35, 45-55, 55+)

    Laroche explains his obsessive nature and his ability to completely abandon his passions to a fascinated but confused Orlean.

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    Scene PreviewExcerpt — subscribe to read full scene

    ORLEAN

    Wow, that's some story. So how many turtles did you end up collecting?

    LAROCHE

    Oh, I lost interest right after that.

    ORLEAN

    Oh.

    LAROCHE

    I dropped turtles when I fell in love with Ice Age fossils. Learned everything about them. Collected the shit out of 'em. Fossils were the only thing made any sense to me in this fucking world. Y'know?

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Charlie Kaufman & Donald Kaufman & Susan Orlean, this quirky contemporary comedy-drama duologue from the film Adaptation highlights an unforgettable exchange about passion and detachment. In this scene, Laroche describes a lifelong pattern of hyper-fixating on specific pursuits only to drop them entirely, while Orlean listens with a mix of fascination and confusion. Running between ninety seconds and two minutes, it offers actors a sharp, dialogue-driven showcase of contrasting energies.

    Character Analysis

    Laroche is an intense, eccentric outsider whose worldview is dictated by absolute obsessions that vanish overnight without remorse. His speech is energetic, unapologetic, and casual about behaviors most people would find bewildering. Orlean operates as the grounded journalist, observing and probing with sincere curiosity while trying to comprehend Laroche's emotional logic. Their dynamic thrives on the juxtaposition between Laroche's manic enthusiasm and Orlean's baffled yet captivated questioning.

    Why This Works for Auditions

    This piece works brilliantly for auditions because it delivers a distinct comedic voice while remaining rooted in genuine human psychology. Laroche gets to showcase commanding storytelling and eccentric comedic timing, while Orlean demonstrates active listening and subtextual reactions. The rapid rhythm and offbeat tone instantly grab casting directors looking for memorable character work. It provides an ideal platform to demonstrate pacing, vocal variety, and chemistry without needing physical movement or elaborate setups.

    Best Suited For

    This scene is exceptionally well suited for actors in their thirties to fifties looking for agent-showcase material or self-tape reels. Performers who fit character actor, outsider, or intensely quirky casting types will find a fantastic vehicle in Laroche. Actors targeting intellectual, inquisitive journalist types will excel in the role of Orlean. It also serves as outstanding general-practice material for partners working on conversational rhythm and comedic balance.

    Performance Tips

    For Laroche, the key is to deliver eccentric admissions with utter sincerity rather than playing for cheap laughs. Treat every past obsession as completely life-defining in the moment, making the sudden shifts feel authentically jarring rather than theatrical. For Orlean, resist the urge to merely wait for your turn to speak; let every bizarre revelation visibly shift your perspective. Keep the car-ride pacing steady, allowing the comedic beats to emerge naturally from the stark contrast between intense storytelling and quiet bewilderment.

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