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monologue
Tragedy

Edgar: The Gods Are Just

from King Lear

Written by William Shakespeare

Edgar: The Gods Are Just from King Lear — audition scene

Edgar recounts the heartbreaking story of his journey with his blinded father, Gloucester. He describes how he disguised himself as a madman to save his father from despair, only for Gloucester's heart to give out from the overwhelming emotion of their eventual reconciliation.

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EDGAR

Met I my father with his bleeding rings,

Their precious stones new lost: became his guide,

Led him, begg'd for him, saved him from despair;

Never,--O fault!--reveal'd myself unto him,

Until some half-hour past, when I was arm'd:

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Scene Notes & Audition Tips

5 sections
About This Scene

Taken from William Shakespeare's classical tragedy *King Lear*, this emotional monologue captures a devastating moment of revelation and grief. Edgar recounts the painful journey he endured alongside his blinded father, Gloucester. Having assumed the disguise of a madman to preserve his own life and protect his father from despair, Edgar details how their final reconciliation proved too immense for the old man's heart to withstand.

Character Analysis

Edgar is an empathetic and resilient figure who bridges the casting qualities of both a traditional leading man and a nuanced character actor. He carries an immense burden of sorrow, wrestling with remorse over keeping his true identity hidden from his father for so long. His character demands profound vulnerability, as he openly processes the shock of watching his father pass away at the exact moment of their reunion.

Why This Works for Auditions

Clocking in at roughly one and a half minutes, this monologue provides a complete, gripping narrative arc that commands attention. It allows an actor to showcase classical verse speaking alongside genuine, unfiltered emotional depth. The passage demands sophisticated breath control, vivid storytelling, and the ability to navigate high-stakes tragedy without collapsing into melodrama.

Best Suited For

This piece is an exceptional choice for male performers playing between ages eighteen and twenty-five who need a serious classical monologue. It is specifically suited for drama school auditions, classical acting competitions, and rigorous general practice. Actors who excel at portraying vulnerable, morally grounded, or emotionally driven characters will find this material particularly rewarding.

Performance Tips

Resist the urge to start the speech at a pitch of overwhelming sorrow, choosing instead to focus on clear, active storytelling. Paint the sensory details of the journey and the disguise so the audience visualizes the physical reality of what Edgar survived. Allow the rhythm of the verse to guide the build, saving the full weight of your emotional release for the tragic conclusion of the reconciliation.

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