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    Erik Tells Leslie He Still Loves His Dad

    from Monsters: The Lyle and Erik Menendez Story

    Written by Ian Brennan

    Monsters: The Lyle and Erik Menendez Story

    In a jail visitation room, Erik Menendez grapples with the complex trauma of loving his abusive father while his attorney, Leslie Abramson, shares her own

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    Scene PreviewExcerpt — subscribe to read full scene

    ERIK

    And he’d call me these -- it’s like what he SAID sometimes was. Somehow hurt MORE even --

    LESLIE

    Like what.

    ERIK

    Well just. I wanted to say to him, if I’m such a faggot, why are you asking me to fuck you in the ass??? You know???

    Erik is sobbing

    And I just. You know --

    LESLIE

    What.

    ERIK

    I don’t know. That’s why I don’t want to be in here for…

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Set inside an LA County Jail attorney room, this contemporary dramatic duologue captures an intimate confession between Erik Menendez and his defense attorney, Leslie Abramson. Grappling with deep psychological trauma, Erik confronts the harrowing reality of still loving his abusive father while facing confinement. The scene moves through layers of grief, confusion, and painful insight, creating a profound exploration of complex familial bonds under extreme pressure.

    Character Analysis

    Erik is deeply vulnerable, caught in the disorienting crosscurrents of survival, grief, and unresolved attachment. His thoughts arrive in fragmented bursts, shifting rapidly from devastating despair to unexpected flashes of dark humor and clarity. Leslie serves as an intensely focused legal advocate who must maintain her professional resolve while being visibly impacted by the depth of Erik's psychological pain.

    Why This Works for Auditions

    This piece serves as an extraordinary showcase for actors who want to demonstrate emotional range without falling into generic melodrama. The text allows the actor playing Erik to reveal intricate layers of trauma, shame, and heartbreaking honesty in real time. For Leslie, the scene demands masterful active listening, stillness, and the ability to hold space with commanding yet empathetic authority.

    Best Suited For

    This three-minute scene is ideally suited for drama school auditions, agent showcases, self-tapes, and general scene study practice. Actors looking to demonstrate casting types such as vulnerable, intense, outsider, or authoritative legal professionals will find rich material here. It is particularly well matched for young adult performers navigating high-stakes dramatic material.

    Performance Tips

    Avoid playing the ending emotion at the start of the scene; allow Erik's thoughts to assemble themselves spontaneously rather than predetermining the emotional peaks. Pay close attention to the rhythm of the pauses, as the silence holds just as much narrative weight as the spoken dialogue. For Leslie, stay actively engaged in your client's psychological journey, letting each revelation alter your physical posture and vocal intention naturally.

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