Film
group
Sci-Fi

E.T. Phone Home

from E.T. the Extra-Terrestrial

Written by Melissa Mathison

E.T. the Extra-Terrestrial

Elliott discovers that his younger sister Gertie has dressed E.T. in doll clothes and taught him basic English. The scene reaches a pivotal emotional climax as E.T. uses his new vocabulary to express his desire to contact his family in space. The children realize the gravity of E.T.'s homesickness and the possibility of his departure.

Start a free 7-day trial — 5 downloads a day, unlimited when Pro begins

Rehearse this scene
Rehearse on your terms

Choose your role and voices for the other characters. Run the scene at your own pace.

Scene PreviewExcerpt — subscribe to read full scene

GERTIE

Be good, be good.

ELLIOTT

Oh God! E.T.: Elliott.

ELLIOTT

What? E.T.: Elliott, Elliott.

End of preview. Continue with Pro below.

7 days freeYour next rehearsal starts here

Found your next scene? Make it yours.

Start your free trial and read E.T. Phone Home in full, with access to 1,000+ monologues and scenes to explore next.

  • Read the full scene and explore the library
  • Download your script in a clean, printable format
  • Take it into rehearsal with the Script Reader
Casting Types
Get Feedback
Coming Soon

Want expert coaching on this scene?

Browse our curated list of acting coaches, dialect specialists, and more.

Find a Coach

Need representation?

Browse verified agents and casting directors in our directory.

Scene Notes & Audition Tips

5 sections
About This Scene

This scene, titled "E.T. Phone Home," is a pivotal moment from the beloved film *E.T. the Extra-Terrestrial*. It captures the innocent yet profound discovery that E.T. can now communicate beyond simple gestures, having been taught rudimentary English by Gertie. The scene culminates in E.T.'s emotional plea to contact his home, revealing his deep longing and setting the stage for the film's central conflict and journey.

Character Analysis

Elliott is initially surprised and slightly exasperated by Gertie's antics, but quickly shifts to fascination and profound understanding as E.T. begins to speak. He embodies youthful wonder and burgeoning empathy. Gertie is playfully ingenious, proud of her teaching accomplishments, and genuinely connected to E.T. E.T. himself is vulnerable and expressive, despite his limited vocabulary, communicating a clear and urgent desire for connection. Mike, while briefly present, serves as a point of external perspective, highlighting the extraordinary nature of E.T.'s newfound ability.

Why This Works for Auditions

This group scene offers fantastic opportunities for young actors to showcase a range of emotions, from surprise and humor to deep empathy and wonder. The interplay between the children and E.T., despite E.T.'s non-human nature, allows for genuine reactions and connection that are highly effective in an audition. Its duration and contained setting make it ideal for self-tapes and general practice, providing clear emotional arcs for each character within a short timeframe.

Best Suited For

This scene is ideally suited for young actors under the age of 18, particularly those looking to portray "Everyman," "Girl Next Door," or "Vulnerable" types. It's excellent for demonstrating the ability to react authentically to an extraordinary situation and to convey deep emotion with limited dialogue. Actors who excel at portraying childhood innocence and growing maturity will find this scene particularly rewarding.

Performance Tips

Actors should focus on the genuine discovery and mounting realization throughout the scene. For Elliott, show his initial disbelief give way to awe and understanding. Gertie should lean into her pride and playful nature, then transition to recognizing the gravity of E.T.'s plea. E.T. (if played by an actor in place of the puppet) should emphasize vocal inflection and physical gestures to convey his urgent desire for "home" and "phone," making the simple words incredibly impactful. Remember the tone is vulnerable, so allow for moments of genuine emotional openness without overacting the sentiment.

Explore this topic