Film
group
Sci-Fi

E.T. Phone Home

from E.T. the Extra-Terrestrial

Written by Melissa Mathison

E.T. the Extra-Terrestrial

Elliott discovers that his younger sister Gertie has dressed E.T. in doll clothes and taught him basic English. The scene reaches a pivotal emotional climax as E.T. uses his new vocabulary to express his desire to contact his family in space. The children realize the gravity of E.T.'s homesickness and the possibility of his departure.

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GERTIE

Be good, be good.

ELLIOTT

Oh God! E.T.: Elliott.

ELLIOTT

What? E.T.: Elliott, Elliott.

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Scene Notes & Audition Tips

5 sections
About This Scene

This iconic "E.T. the Extra-Terrestrial" scene captures a pivotal moment of discovery, communication, and impending separation for three young characters. Elliott finds his younger sister, Gertie, dressing E.T. in doll clothes and teaching him English. The initial comedic absurdity quickly shifts to profound emotional weight as E.T. uses his new vocabulary to express his longing to contact his family in space, revealing his homesickness and the difficult reality of his eventual departure. This scene beautifully illustrates the children's growing understanding of E.T.'s true nature and the gravity of his situation, making it rich with nuanced emotional beats for young actors.

Character Analysis

Elliott, as the main human protagonist, experiences initial shock and disbelief, quickly transitioning to awe and a burgeoning sense of responsibility for E.T.'s welfare. He embodies the "Everyman" archetype, navigating protectiveness, wonder, and eventual sadness. Gertie is the "Girl Next Door" with a childlike innocence leading to endearing attempts to humanize E.T., but her joyful teaching gives way to a dawning realization of E.T.'s vulnerability. E.T. himself, though not speaking in full sentences, must convey immense longing and desperation through simple words and gestures, making him the ultimate "Outsider" and "Vulnerable" character. Mike, a smaller role in this segment, provides a grounding, slightly cynical teen perspective, contrasting with the younger children's immediate emotional reactions.

Why This Works for Auditions

This group scene is exceptionally strong for auditions because it showcases a wide range of emotions and character dynamics within a short timeframe. It allows actors to demonstrate vulnerability, surprise, humor, and deep emotional connection without extensive dialogue. The clear arc from comedy to profound realization provides excellent opportunities for actors to show their ability to handle transitions and complex emotional shifts. Furthermore, the scene’s focus on non-verbal communication and reaction, especially for E.T. and how the children interpret him, offers a unique chance to impress with nuanced acting choices.

Best Suited For

This scene is particularly well-suited for young actors under 18, especially those portraying genuine childhood innocence mixed with rapidly maturing emotional intelligence. It works wonderfully for "Teenager" and "Girl Next Door" types, as well as actors capable of embodying an "Outsider" or "Vulnerable" persona like E.T. Its group format makes it excellent for general practice or a competition piece, allowing multiple actors to shine collaboratively. The emotional depth and clear progression also make it ideal for a self-tape submission where nuanced reactions can be carefully captured.

Performance Tips

Focus on the authentic, spontaneous reactions children would have to such an incredible discovery. For Elliott, convey a progression from shock to wonder, then to a growing understanding of E.T.'s profound homesickness. Gertie should lean into her initial innocent joy and pride in teaching E.T., letting it slowly dissolve into concern. For E.T., remember every simple word and gesture carries immense weight; focus on conveying longing and an urgent desire for connection through minimal means. Ensure each character listens intently, allowing their reactions to drive the scene's emotional arc.

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