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    Film
    duologue
    Thriller

    Gabe Talks Adelaide Into Going to the Beach

    from Us

    Written by Jordan Peele

    Us

    2 characters · Any gender · 25-35

    Gabe tries to convince a reluctant Adelaide to visit the public beach with their friends, unaware of the deep-seated trauma she associates with the

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    Scene PreviewExcerpt — subscribe to read full scene

    GABE

    That was Josh. We’ll leave in an hour.

    ADELAIDE

    We just got here.

    GABE

    They stayed an extra day so we could meet up... What? You don’t like Josh and Kitty now?

    ADELAIDE

    Eh...

    GABE

    Damn... It’s like that? Okay. Name one thing wrong with Josh and Kit--

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Jordan Peele for the contemporary thriller film Us, this duologue takes place inside a bayside vacation home. Gabe tries to convince his reluctant partner Adelaide to join their friends at a busy public beach, unaware of the deep-seated dread she associates with the location. What begins as a lighthearted domestic negotiation quickly reveals an underlying layer of vulnerability, setting up the subtle psychological tension that defines their family dynamic.

    Character Analysis

    Gabe is an optimistic, easygoing everyman who wants his family to enjoy an idyllic holiday. He relies on humor, playful charm, and subtle appeals to their children's happiness to coax Adelaide out of her shell, completely oblivious to the trauma she carries. Adelaide is guarded, watchful, and intensely protective of her boundaries. Beneath her dry, deflecting humor lies a profound internal struggle between maintaining domestic normalcy and confronting an overwhelming sense of foreboding.

    Why This Works for Auditions

    This scene is an exceptional vehicle for actors who excel at playing heavy subtext beneath ordinary dialogue. Because the conversation centers on a mundane disagreement about social plans, the material tests an actor's ability to layer dread and hesitation beneath casual conversation. Casting directors get to evaluate natural chemistry, authentic pacing, and the contrast between Gabe’s open enthusiasm and Adelaide’s quiet suppression of fear.

    Best Suited For

    This piece is well suited for actors aged 25 to 35 exploring Parent, Leading Lady, Leading Man, or Everyman casting types. It provides strong, grounded material for self-tapes, agent showcases, and general scene study focused on naturalism and layered emotional stakes.

    Performance Tips

    Keep the surface interaction light, resisting the impulse to telegraph the genre elements too early. Adelaide’s performance hinges on restraint; let the tension manifest through physical stillness, calculated pauses, and defensive boundaries rather than obvious terror. For Gabe, maintain a warm, playful persistence, ensuring that his persuasive tactics stem from genuine affection rather than aggressive pressure.

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