Film
monologue
Thriller
Horror

Giles — It's funny, I hear a lot of authors

from Disturbia

Written by Christopher Landon

Disturbia

A serial killer taunts his captive neighbor, chillingly detailing his past victims while forcing the boy to type a false confession note.

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GILES

It's funny, I hear a lot of authors say their first books were easy, it's the second one that's really hard. Wonder if your dad thought that. See with me, it's the opposite. The very first one was... ...Very difficult... she was very beautiful... fragile... a lot of promise... the others in Texas were flings, low class... Patty Walsh had potential,…

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Scene Notes & Audition Tips

5 sections
About This Scene

This chilling monologue features Giles, the primary antagonist from the thriller film *Disturbia*, as he confronts his captive neighbor, Kale. The scene unfolds in Kale's bedroom, where Giles menacingly recounts his past violent acts while forcing Kale to type a false confession. It's a masterclass in psychological manipulation and terror, demonstrating Giles's complete control and his disturbing pleasure in tormenting his victim. The dynamic shifts from subtle taunting to overt threats, revealing the true depth of his depravity and the immediate danger Kale faces.

Character Analysis

Giles is presented as a sophisticated, yet profoundly disturbed, serial killer who hides in plain sight within a suburban neighborhood. He exhibits extreme narcissism and a chilling sense of entitlement, believing himself superior to others and justified in his horrific actions. His dialogue showcases a calculated intelligence, using language to dissect his victims and relive his "work" with perverse nostalgia. Giles is not merely physically threatening; his power lies in his ability to psychologically dismantle his prey, making him a truly terrifying and complex villain. He revels in the fear he instills and enjoys the process of breaking down his victims' will.

Why This Works for Auditions

This monologue is an exceptional choice for actors aiming to showcase their ability to portray intense, layered villainy. It offers significant emotional range, moving from conversational menace to overt psychological torture, all within a constrained physical space. The scene demands precise control over tone, pacing, and subtext, allowing an actor to demonstrate gravitas, creepiness, and an underlying sense of danger. Casting directors will observe an actor's capacity to command a scene without resorting to overt melodrama, instead relying on chilling subtlety and focused intensity.

Best Suited For

This monologue is particularly well-suited for male actors in the 45-55 age range who are looking to be cast as villains, character actors, or individuals capable of portraying intense and gritty roles. It fits perfectly for casting types such as "Authority Figure" twisted into evil, or those seeking "Serial Killer" and "Taunting" roles. Its dark tone and suspenseful nature make it ideal for actors who can convey a calm exterior masking profound malevolence. This piece is excellent for self-tapes, general practice, and especially for agent showcases where demonstrating a powerful, memorable antagonist is key.

Performance Tips

When approaching this monologue, focus on Giles’s chilling composure and the undercurrent of psychological gamesmanship. Avoid playing him as overtly angry or shouting; instead, let the menace build through a quiet, controlled delivery, making his words land with heavier impact. Pay close attention to the shifts in his focus, from reminiscing about past victims to directly threatening Kale, and how these shifts subtly alter his vocal quality or physical presence. Emphasize the twisted satisfaction Giles derives from his actions, allowing moments of almost perverse pleasure to surface without breaking his calculated demeanor.

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