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    Comedy-Drama

    Harry Visits Marin and Learns She's Pregnant

    from Something's Gotta Give

    Golden Globe

    Written by Nancy Meyers

    Something's Gotta Give

    2 min · 3 characters · Any gender · 55+

    Harry visits his ex-girlfriend Marin to apologize, only to discover she is pregnant and married, leading him to ask about her mother, Erica.

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    Scene PreviewExcerpt — subscribe to read full scene

    MARIN

    I couldn't believe you were calling from downstairs. So great to see you.

    HARRY

    You couldn't look better.

    MARIN

    Thank you. Come on in.

    HARRY

    No, no, I just wanted to stop by and say hi and tell you I'm sorry if I ever did anything to you that wasn't on the up and up or...

    MARIN

    What do you mean? You were great to me.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Nancy Meyers, this contemporary comedy-drama scene from the film Something's Gotta Give captures an unexpected reunion between former partners. Harry arrives unannounced at the apartment of his ex-girlfriend Marin intending to offer an apology for past behavior, only to find that her life has moved forward substantially. Upon learning that Marin is happily married to Danny and expecting a child, Harry must navigate his own disorientation while seeking closure and inquiring about her mother, Erica.

    Character Analysis

    Harry is a charming leading man who finds himself stripped of his usual romantic bravado, revealing an unsettled emotional vulnerability beneath his polished exterior. Marin embodies warmth and stability, holding no lingering resentment toward her ex and greeting his sudden reappearance with genuine kindness. Danny enters as an agreeable everyman whose polite familiarity emphasizes the domestic security Marin has found, standing in gentle contrast to Harry's lingering regret.

    Why This Works for Auditions

    Running roughly two minutes, this three-character scene provides rich material for self-tapes, agent showcases, and scene study practice. The sequence tests an actor's ability to handle layered subtext, balancing delicate comedic timing with sincere emotional stakes as unexpected news alters the dynamic. It offers performers a chance to showcase emotional agility, active listening, and the ability to register genuine surprise while maintaining social composure.

    Best Suited For

    This piece is ideal for performers working in the 55+ bracket who can embody a vulnerable, charming leading figure attempting to reckon with past relationships. It also suits actors playing grounded, naturalistic roles such as the supportive partner or the warm, self-assured young woman who has outgrown an old romance. Ensembles looking for concise group scenes with clear character objectives and clean narrative progression will find it exceptionally practical.

    Performance Tips

    Keep the rhythm light and conversational to let the underlying tension speak for itself without overplaying the awkwardness. For the actor playing Harry, allow each piece of news to land internally before covering with charm, saving the deepest emotional shift for the moment he asks about Erica. Marin and Danny should avoid any smugness or defensiveness, as their straightforward joy and hospitality provide the clearest foil to Harry's solitary search for answers.

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