Skip to content
    Tv
    duologue
    Drama

    History is Being Rewritten

    from Say Nothing

    Written by Josh Zetumer

    Say Nothing

    Marian frantically tries to stop her sister Dolours from going public about their IRA past, fearing the legal and personal consequences.

    Start a free 7-day trial — 5 downloads a day, unlimited when Pro begins

    Rehearse this scene
    Rehearse on your terms

    Choose your role and voices for the other characters. Run the scene at your own pace.

    Scene PreviewExcerpt — subscribe to read full scene

    MARIAN

    Are you fucking mental?!?

    DOLOURS

    Calm down, you.

    MARIAN

    If you wanted to go public, you should’ve done it in ‘98. At least then you’d have got immunity --

    DOLOURS

    I don’t care about immunity --

    MARIAN

    Well I fucking do!

    End of preview. Continue with Pro below.

    7 days freeYour next rehearsal starts here

    Found your next scene? Make it yours.

    Start your free trial and read History is Being Rewritten in full, with access to 6,500+ monologues and scenes to explore next.

    • Read the full scene and explore the library
    • Download your script in a clean, printable format
    • Take it into rehearsal with the Script Reader
    Casting Types
    Get Feedback
    Coming Soon

    Want expert coaching on this scene?

    Browse our curated list of acting coaches, dialect specialists, and more.

    Find a Coach

    Need representation?

    Browse verified agents and casting directors in our directory.

    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Adapted from the television drama *Say Nothing*, written by Josh Zetumer, this intense duologue captures a high-stakes telephone confrontation between two sisters. Speaking from a hallway in Armagh Prison, Marian urgently attempts to stop Dolours from exposing their past involvement with the IRA. Dolours, positioned in the quiet of her sunroom, remains stubbornly determined to make their history public regardless of the legal and personal ramifications.

    Character Analysis

    Marian operates under immediate terror, balancing fierce frustration with genuine dread over the legal consequences of her sister speaking out. Her anger is weaponized out of self-preservation and desperation, forced to manage a crisis while physically confined. Dolours displays a cold, righteous certainty that stands in direct opposition to her sister's panic. Convinced that history is being distorted by others, she clings to an unyielding sense of personal mission and moral clarity.

    Why This Works for Auditions

    This piece offers a rapid masterclass in contrasting energies and urgent objective pursuit within a concise one-minute timeframe. The dynamic between the characters provides immediate dramatic conflict, demanding that both performers anchor high political stakes in intimate, fractured family history. Because the scene relies on a telephone conversation, actors must generate palpable chemistry and authentic listening without sharing physical space.

    Best Suited For

    This drama is ideal for mature female actors in the 45-55 age range targeting intense, rebel, working-class, or vulnerable leading lady roles. It functions exceptionally well for self-tapes, agent showcases, and general dramatic practice where actors need to demonstrate raw emotional control under pressure.

    Performance Tips

    If playing Marian, focus on the physical restriction of your environment and the need to whisper-shout without sacrificing emotional force. Allow your desperation to drive the pace, attacking each tactic as the previous one fails to persuade your sister. For Dolours, resist the urge to match Marian's vocal tempo, choosing instead an unshakeable, rooted stillness that emphasizes your resolve. Keep the deep history between the sisters present beneath every exchange, ensuring the conflict feels like the culmination of decades of shared pain.

    No ratings yet
    Sign in to rate