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monologue
drama

I Am Tired of You

from The Libertine

Written by Stephen Jeffries

Elizabeth Barry, a rising star of the Restoration stage, confronts the Earl of Rochester after he proposes marriage. She fiercely asserts her independence, choosing her professional career and financial autonomy over the restrictive and unreliable security of being his wife.

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ELIZABETH

You have no understanding, do you? You have comprehended – just – that I am tired of being your mistress and your solution is to conscript me into becoming your wife. It is not being a mistress I am tired of, John. I am tired of you. I do not wish to be your wife. I do not wish to be anyone’s wife. I wish to continue being the creature I am. I…

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Scene Notes & Audition Tips

5 sections
About This Scene

This compelling dramatic monologue features Elizabeth Barry, a celebrated actress of the Restoration era, as she fiercely rejects a marriage proposal from the Earl of Rochester. It’s a powerful exploration of a woman's unwavering commitment to her career and personal autonomy over societal expectations. The scene unpacks the distinction between a comfortable but dependent life and the empowering pursuit of individual ambition in a challenging historical context.

Character Analysis

Elizabeth Barry emerges here as an exceptionally strong-willed and independent woman, deeply dedicated to her craft and her financial self-sufficiency. She is assertive and defiant, clearly articulating her refusal to be defined or limited by a man, even one of high status. Her character embodies a trailblazing spirit, prioritizing intellectual and professional fulfillment above the traditional role of a wife, revealing a keen understanding of both her self-worth and her market value as a performer.

Why This Works for Auditions

This monologue is an excellent choice for auditions because it showcases a substantial emotional arc within a concise timeframe, allowing actors to demonstrate intensity, defiance, and sophisticated thought. Its contemporary feel, despite being set in the Restoration period, makes it highly relatable for modern audiences and casting directors. The clear objective and high stakes provide ample opportunity for bold, impactful choices that will leave a strong impression.

Best Suited For

This monologue is particularly well-suited for female actors in their 20s to 40s who are looking to embody a "Leading Lady" or "Intense" casting type. It works exceptionally well for drama school auditions, agent showcases, self-tapes, and competitions, especially for those who wish to highlight their ability to portray intelligent, independent, and powerful characters. Actors who can convey both articulate thought and passionate conviction will shine with this material.

Performance Tips

When performing this monologue, focus on Elizabeth's unwavering conviction and the clear distinction she draws between her own earned success and the precariousness of male patronage. Emphasize the active verbs and strong declarative sentences to underscore her defiance and autonomy. Pay close attention to the shift in her tone, from perhaps a slight weariness to absolute certainty and empowering self-realization, ensuring that each beat is distinct and purposeful.

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