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    monologue
    Drama

    I Build Race Cars

    from Ford v Ferrari

    Oscar WinnerBAFTA Winner

    Written by Jez Butterworth & John-Henry Butterworth & Jason Keller

    Ford v Ferrari

    1 min 30 sec · 1 character · Male · Under 13

    Carroll Shelby delivers a public speech about the difference between doing what you want and doing what you are obsessed with. While addressing a crowd, he maintains intense eye contact with Ken Miles, acknowledging their shared passion while publicly crediting Henry Ford.

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    SHELBY

    I was ten years old when pops said, 'Son, it's a truly lucky man knows what he wants to do. Because that man will never have to work a day in his life.' But there's a few, a precious few, and hell, I don't know if they're lucky or not.. But there's a few who find something that they have to do.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Written by Jez Butterworth & John-Henry Butterworth & Jason Keller, this dramatic contemporary monologue comes from the award-winning film *Ford v Ferrari*. Carroll Shelby delivers a powerful public address outlining the profound distinction between casual ambition and pure, consuming obsession. Although Shelby speaks on a platform to a receptive gathering, he directs his true intent toward Ken Miles in the crowd. This dynamic creates a striking subtext, acknowledging their shared passion while publicly crediting Henry Ford.

    Character Analysis

    Shelby is a master of charisma who naturally commands attention while balancing corporate politics with his own racing instincts. He projects warmth, confidence, and authority, yet he harbors the restless spirit of a driven craftsman who understands real obsession. His ability to navigate public showmanship while maintaining an intense personal conviction reveals a complex leader who knows precisely what must be sacrificed to achieve greatness.

    Why This Works for Auditions

    Running approximately one and a half minutes, this piece provides an exceptional platform for actors seeking to demonstrate layered, nuanced storytelling. The monologue requires you to manage two distinct objectives simultaneously: entertaining a wide room and delivering a piercing, personal message to a single listener. It offers casting directors a clear look at your vocal control, poise, and ability to project quiet authority without leaning on excessive physical movement.

    Best Suited For

    This scene is ideal for self-tapes, drama school auditions, agent showcases, and advanced practice sessions. Actors fitting Leading Man, Authority Figure, Charming, Intense, or Everyman casting brackets will find this material especially rewarding. It serves performers who excel at delivering compelling speeches fueled by passion, ambition, and internal drive.

    Performance Tips

    Clearly map out the shifts between your expansive public voice and the intimate subtext aimed at your partner. Establish a specific focal point in the room for the individual you are truly speaking to, ensuring the contrast between public charm and private intensity remains razor-sharp. Take your time with the transitions, breathing through the realizations and letting the audience witness the moment corporate necessity takes precedence over personal loyalty.

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