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    Film
    duologue
    Drama

    I Want a Title Shot

    from Creed III

    Written by Keenan Coogler, Zach Baylin, Ryan Coogler

    Creed III

    Damian confronts his childhood friend Adonis, demanding a professional title shot after serving eighteen years in prison.

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    Scene PreviewExcerpt — subscribe to read full scene

    DAMIAN

    You really moved back to the boonies... You used to love coming back to the hood. Now you all domesticated... I bet you golf now, too, huh?

    ADONIS

    I don’t golf.

    DAMIAN

    You got a mansion in Bel Air but don’t golf? You got a virtual golf room. Is that your butler’s?

    DAMIAN

    Oh. Ok. I see. The champ’s still got a little pepper in him.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    In this contemporary dramatic duologue from the film Creed III, Damian confronts his former childhood friend, Adonis, to demand a professional boxing title shot after serving nearly two decades in prison. What starts with casual poking and teasing quickly evolves into an intense, emotionally charged confrontation between two men bound by a complicated past. The encounter exposes themes of ambition, loyalty, and rivalry, laying bare the contrasting worlds the two characters now inhabit.

    Character Analysis

    Damian is an intense, working-class anti-hero driven by lost time and raw grievance, masking his desperation beneath biting humor before revealing the profound wounds of his incarceration. He feels entitled to an opportunity he never received and uses their shared history to press his advantage. Adonis represents the successful leading man who has transitioned from active fighting into wealth and management, finding himself caught between fraternal guilt and the rigid realities of the sport.

    Why This Works for Auditions

    This scene offers performers a masterclass in subtext, shifting status dynamics, and grounded tension. The swift transition from teasing banter to physical reflex and heavy vulnerability allows both actors to demonstrate remarkable range within a tight two-minute timeframe. Casting directors can easily observe an actor's capacity for controlled stillness, listening, and conveying deeply personal stakes without relying on overplayed melodrama.

    Best Suited For

    This selection is best suited for male actors in their thirties and forties who fit Leading Man, Anti-Hero, and Tough casting types. It serves as an outstanding vehicle for self-tape submissions, agent showcases, and general partner practice focused on contemporary drama. Performers wanting to demonstrate physical command and emotional weight will find this material exceptionally rewarding.

    Performance Tips

    Resist the urge to play the scene with continuous anger, as the true dramatic power comes from the genuine friendship that still exists beneath the friction. Damian should balance his charm and street sensibility with the terrifying urgency of a man running out of time, ensuring his final appeals hit with absolute vulnerability rather than mere aggression. For Adonis, emphasize active listening and the heavy burden of responsibility, letting the audience see the internal fight between personal loyalty and professional necessity.

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