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    Film
    duologue
    Drama

    I'm Only Good at Beginnings

    from Kill Your Darlings

    Written by John Krokidas, Austin Bunn

    Kill Your Darlings

    Allen confronts Lucien as he attempts to flee the university, leading to a vulnerable admission of mutual need and a pact to defy authority.

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    Scene PreviewExcerpt — subscribe to read full scene

    LUCIEN

    That belfry, I never noticed it before. And all these terrible benches, I never sat in a single one while I was here.

    ALLEN

    Where are you going?

    LUCIEN

    Mother's coming in a taxi. To drown me.

    ALLEN

    You were just going to leave?

    LUCIEN

    You know me now. I'm only good at beginnings. Best of luck.

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    Scene Notes & Audition Tips

    5 sections
    About This Scene

    Set in a seminary courtyard at night, this dramatic duologue captures a pivotal turning point between two young scholars. Allen confronts Lucien as he prepares to abandon the university and flee his chaotic family expectations. Their urgent exchange rapidly moves from initial shock and bitter disappointment to an intimate confession of mutual need, culminating in a shared pact to stand their ground and defy authority together.

    Character Analysis

    Allen is an introspective student standing on the precipice of self-discovery and creative awakening. Struggling with domestic friction and rigid institutional expectations, he moves from feeling powerless to taking decisive action to protect his friendship. Lucien embodies an intoxicating blend of intellectual rebellion and fragile volatility. Beneath his dramatic, self-deprecating wit lies a frightened young man overwhelmed by impending failure, yearning for someone to give him a compelling reason to fight back rather than run.

    Why This Works for Auditions

    This piece offers an exceptional dramatic arc within a concise two-minute framework, giving both actors a balanced showcase of emotional range and high-stakes subtext. The scene demands quick transitions from defensive friction to profound tenderness, finishing on a shared burst of rebellious energy. Casting panels will appreciate seeing your capacity for authentic listening, emotional availability, and the ability to build organic chemistry with a scene partner without resorting to melodrama.

    Best Suited For

    This material is tailored for male performers aged 18 to 25 fitting leading man, outsider, rebel, and intensely vulnerable casting types. It works particularly well for drama school auditions, agent showcases, self-tape submissions, and serious partner practice where nuanced text analysis and deep emotional commitment are essential.

    Performance Tips

    Avoid falling into heavy, generalized sadness at the top of the scene; instead, let Lucien’s exhaustion and Allen’s sudden panic drive the opening tempo. Pay close attention to the shifts in physical proximity, particularly as Allen steps into Lucien's space to prevent him from departing. Ground the final resolution in quiet, determined camaraderie so the shared rebellion feels genuinely earned rather than theatrical.

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