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duologue
Tragedy

Imogen and Pisanio: Farewell to Posthumus

from Cymbeline

Written by William Shakespeare

Imogen questions her servant Pisanio about her husband Posthumus's departure into exile. She expresses her deep grief and regret that their farewell was interrupted by her father, the King.

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IMOGEN

I would have broke mine eye-strings; crack'd them, but

To look upon him, till the diminution

Of space had pointed him sharp as my needle,

Nay, follow'd him, till he had melted from

The smallness of a gnat to air, and then

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Scene Notes & Audition Tips

5 sections
About This Scene

Set in William Shakespeare's tragedy *Cymbeline*, this classical duologue captures an intimate, grief-stricken conversation between Imogen and her faithful servant, Pisanio. Imogen urgently questions Pisanio about her husband Posthumus's sudden departure into exile, desperate to picture every moment of his journey across the water. Her immense sorrow is deepened by lingering regret, as her father, the King, abruptly interrupted their final farewell before they could exchange proper vows of love.

Character Analysis

Imogen is an emotionally vulnerable leading lady caught in the immediate shock of enforced separation. Her passionate dialogue reveals an intense, imaginative devotion to her exiled husband, marked by rapid shifts between eager curiosity, profound sorrow, and frustration with her father's tyranny. Pisanio provides an essential counterbalance as a loyal and attentive servant, offering grounded honesty and calm reassurance to his distressed mistress.

Why This Works for Auditions

Running approximately two minutes, this classical scene provides actors with a magnificent vehicle for exploring heightened emotional stakes within structured verse. It allows the performer playing Imogen to demonstrate range, navigating swiftly between delicate vulnerability, dramatic longing, and poetic despair without losing clarity. The duologue also showcases exceptional active listening and responsiveness between scene partners, making it memorable for audition panels seeking dynamic classical technique.

Best Suited For

This piece is exceptionally well suited for drama school auditions, acting competitions, and advanced scene study practice. It provides fantastic audition material for performers in the 18 to 25 age bracket who fit leading lady, ingenue, or vulnerable casting types. Actors aiming to prove their command of classical poetic rhythm and tragic character dynamics will find this interaction especially rewarding.

Performance Tips

Focus on anchoring Imogen's expansive poetic language in sharp, specific physical reality so her grief feels immediate rather than overly theatrical. Pay close attention to the scansion and verse breaks, using the line endings to propel your thoughts forward instead of pausing indulgently. Pisanio must listen with deep empathy and quiet loyalty, ensuring his responses serve as a stable foundation against Imogen's surging emotional tides.

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